David Cronenberg’s Spider
Between confusion and fragmentation
Bibliographic Data
| ID | 8973556 |
|---|---|
| Authors | Jonathan Sklar (corresponding author), Andrea Sabbadini (Shellfish Association of Great Britain) |
| Year | 2008 |
| Volume | 89 |
| Issue | 2 |
| Pages | 427-432 |
| Publication date | 2008-04-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The International Journal of Psychoanalysis (JOURNAL) |
| Journal identifiers | ISSN: 0020-7578 • E-ISSN: 1745-8315 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1111/j.1745-8315.2008.00025.x |
| PMID | 18405296 |
| OpenAlex | W2066601798 |
| Language | EN |
David Cronenberg, the Canadian director of Spider (2002), is one of the main exponents of the science‐fictional ‘body horror’ genre of films. ‘Cronenberg’s subject’, David Thomson writes, ‘is the i
Art · Art history · Biology · Confusion · Fragmentation (computing · Psychoanalysis · Spider · Subject (documents · Zoology · Computer Science · Contemporary Literature and Criticism · Ecology · Gothic Literature and Media Analysis · Philosophy · Psychology · Utopian, Dystopian, and Speculative Fiction
| Highly cited | No |
|---|