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Gianfranco Agosti

Biographic Data

ID3984623
NAMEGianfranco Agosti
GIVEN NAMESGianfranco
FAMILY NAMEAgosti
SIGNATUREAGOSTI G
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS1
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2021
H-INDEX1
  • New Evidence of King MḤDYS

    Open Access•Giacomo Agosti, Gianfranco Agosti et al.•ARTICLE•Aethiopica•2021

    The role assigned by the late antique poet Nonnus of Panopolis (mid-fifth century CE) to Modaios, king of the ‘Indians’, in a few passages of his huge poem Dionysiaca, suggests that the choice of the character may be attributable to a connection between the Greek name of the king (Μωδαῖος) and the somewhat enigmatic MḤDYS, a mid-fifth-century king of Aksum, known only from numismatic evidence. The hypothesis opens the way to further reflection on…

  • Late Antique Poetry and Its Reception

    Giacomo Agosti, Gianfranco Agosti•CHAPTER•A Companion to Byzantine Poetry•2019

    This chapter deals with the classicizing poetry of Late Antiquity and its reception in subsequent centuries. After defining the chronological boundaries of late antique poetry (4th–7th century), it focuses on some crucial issues, like the continuity/reappearance of some late antique forms and types, and the presence of late antique poetic features, in particular the “modern style” (i.e. of Nonnus of Panopolis and his followers) in Byzantine poetr…

  • Versus De Limine and In Limine

    Giacomo Agosti, Gianfranco Agosti•CHAPTER•Sacred Thresholds: The Door to…•2018

  • Le iscrizioni metriche e il ruolo della paideia classica in Giordania

    Open Access•Giacomo Agosti, Gianfranco Agosti•ARTICLE•Topoi•2018

    Agosti Gianfranco. Le iscrizioni metriche e il ruolo della paideia classica in Giordania. In: Topoi, volume 22/1, 2018. pp. 305-329

  • The Reception of the Homeric Hymns

    Gianfranco Agosti, Andrew Faulkner et al.•BOOK•The Reception of the Homeric Hymns•2017

    "The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively littl…

  • Nonnus and Late Antique Society

    Giacomo Agosti, Gianfranco Agosti•CHAPTER•Brill’s Companion to Nonnus of…•2016

    Study on the role of Nonnus' poems in late antique society. The article suggests that Nonnus in both his poems intended to address cultural and ideological issues relevant to his audience.

  • Praising the God(s)

    Giacomo Agosti, Gianfranco Agosti•CHAPTER•The Reception of the Homeric Hymns•2016

    This paper studies the reception of the Homeric Hymns in some pagan and Christian poets of Late Antiquity. It offers some methodological remarks on ‘quotations’ or ‘allusions’ and re-use of epic code; and on the need to distinguish between instances of epic language reused by Late Antique poets and actual quotations or borrowings from the Homeric Hymns. After an overall view on the presence of the Hymns in some major poets of Late Antiquity (espe…

  • Greek Poetry

    Giacomo Agosti, Gianfranco Agosti et al.•BOOK•The Oxford handbook of late…•2012

    Scholars have expressed increasing appreciation for the uniqueness of late Greek poetry which had long been dismissed as a mere continuation of the great classical and Hellenistic poetry. This article presents an overview of Greek poetic production in Late Antiquity, focusing on the issues of relationships between poetry and prose, rhetorical structures, social contexts, and performances

  • Paideia classica e fede religiosa

    Giacomo Agosti, Gianfranco Agosti•ARTICLE•Cahiers du Centre Gustave Glotz•2010

    I carmi epigrafici dell’Oriente tardoantico (fine III-VI sec. d. C.), col loro linguaggio classicistico e altamente formalizzato, sono spesso difficili da interpretare dal punto di vista della confessione religiosa. Quando infatti mancano indizi archeologici o segni esterni (come le croci), oppure il contesto non fornisce sufficienti indicazioni sulla fede dei committenti o dei laudandi, il linguaggio poetico per sua propria natura mostra una cer…

  • Literariness and Levels of Style in Epigraphical Poetry of Late Antiquity

    Open Access•Giacomo Agosti, Gianfranco Agosti•ARTICLE•Ramus•2008•Cited by: 1•References: 41

    Nowadays, scholars usually speak of a ‘renaissance’ of poetry in the Greek literature of late antiquity, underlining at the same time the new relevance of poetic communication in late antique society and the renewal of our interest in this not so well-known production of late Greek literature. Renaissance and related terms are, of course, effective ways to describe the flowering of Greek poetry from the fourth to sixth centuries CE, so long as th…

  • Literariness and Levels of Style in Epigraphical Poetry of Late Antiquity

    Open Access•Giacomo Agosti, Gianfranco Agosti•ARTICLE•Ramus•2008•Cited by: 1•References: 41

    Nowadays, scholars usually speak of a ‘renaissance’ of poetry in the Greek literature of late antiquity, underlining at the same time the new relevance of poetic communication in late antique society and the renewal of our interest in this not so well-known production of late Greek literature. Renaissance and related terms are, of course, effective ways to describe the flowering of Greek poetry from the fourth to sixth centuries CE, so long as th…

  • Literariness and Levels of Style in Epigraphical Poetry of Late Antiquity

    Open Access•Giacomo Agosti, Gianfranco Agosti•ARTICLE•Ramus•2008•Cited by: 1•References: 41

    Nowadays, scholars usually speak of a ‘renaissance’ of poetry in the Greek literature of late antiquity, underlining at the same time the new relevance of poetic communication in late antique society and the renewal of our interest in this not so well-known production of late Greek literature. Renaissance and related terms are, of course, effective ways to describe the flowering of Greek poetry from the fourth to sixth centuries CE, so long as th…

  • Paideia classica e fede religiosa

    Giacomo Agosti, Gianfranco Agosti•ARTICLE•Cahiers du Centre Gustave Glotz•2010

    I carmi epigrafici dell’Oriente tardoantico (fine III-VI sec. d. C.), col loro linguaggio classicistico e altamente formalizzato, sono spesso difficili da interpretare dal punto di vista della confessione religiosa. Quando infatti mancano indizi archeologici o segni esterni (come le croci), oppure il contesto non fornisce sufficienti indicazioni sulla fede dei committenti o dei laudandi, il linguaggio poetico per sua propria natura mostra una cer…

  • Greek Poetry

    Giacomo Agosti, Gianfranco Agosti et al.•BOOK•The Oxford handbook of late…•2012

    Scholars have expressed increasing appreciation for the uniqueness of late Greek poetry which had long been dismissed as a mere continuation of the great classical and Hellenistic poetry. This article presents an overview of Greek poetic production in Late Antiquity, focusing on the issues of relationships between poetry and prose, rhetorical structures, social contexts, and performances

  • Nonnus and Late Antique Society

    Giacomo Agosti, Gianfranco Agosti•CHAPTER•Brill’s Companion to Nonnus of…•2016

    Study on the role of Nonnus' poems in late antique society. The article suggests that Nonnus in both his poems intended to address cultural and ideological issues relevant to his audience.

  • Praising the God(s)

    Giacomo Agosti, Gianfranco Agosti•CHAPTER•The Reception of the Homeric Hymns•2016

    This paper studies the reception of the Homeric Hymns in some pagan and Christian poets of Late Antiquity. It offers some methodological remarks on ‘quotations’ or ‘allusions’ and re-use of epic code; and on the need to distinguish between instances of epic language reused by Late Antique poets and actual quotations or borrowings from the Homeric Hymns. After an overall view on the presence of the Hymns in some major poets of Late Antiquity (espe…

  • The Reception of the Homeric Hymns

    Gianfranco Agosti, Andrew Faulkner et al.•BOOK•The Reception of the Homeric Hymns•2017

    "The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively littl…

  • Versus De Limine and In Limine

    Giacomo Agosti, Gianfranco Agosti•CHAPTER•Sacred Thresholds: The Door to…•2018

  • Le iscrizioni metriche e il ruolo della paideia classica in Giordania

    Open Access•Giacomo Agosti, Gianfranco Agosti•ARTICLE•Topoi•2018

    Agosti Gianfranco. Le iscrizioni metriche e il ruolo della paideia classica in Giordania. In: Topoi, volume 22/1, 2018. pp. 305-329

  • Late Antique Poetry and Its Reception

    Giacomo Agosti, Gianfranco Agosti•CHAPTER•A Companion to Byzantine Poetry•2019

    This chapter deals with the classicizing poetry of Late Antiquity and its reception in subsequent centuries. After defining the chronological boundaries of late antique poetry (4th–7th century), it focuses on some crucial issues, like the continuity/reappearance of some late antique forms and types, and the presence of late antique poetic features, in particular the “modern style” (i.e. of Nonnus of Panopolis and his followers) in Byzantine poetr…

  • New Evidence of King MḤDYS

    Open Access•Giacomo Agosti, Gianfranco Agosti et al.•ARTICLE•Aethiopica•2021

    The role assigned by the late antique poet Nonnus of Panopolis (mid-fifth century CE) to Modaios, king of the ‘Indians’, in a few passages of his huge poem Dionysiaca, suggests that the choice of the character may be attributable to a connection between the Greek name of the king (Μωδαῖος) and the somewhat enigmatic MḤDYS, a mid-fifth-century king of Aksum, known only from numismatic evidence. The hypothesis opens the way to further reflection on…

Art (8 works) · Classical Antiquity Studies (8 works) · Antique (6 works) · Historical, Religious, and Philosophical Studies (6 works) · Literature (6 works) · Poetry (6 works) · History (5 works) · Byzantine Studies and History (4 works) · Philosophy (4 works) · Visual arts (4 works)

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