Catarina Lira Pereira
Biographic Data
| ID | 3989010 |
|---|---|
| NAME | Catarina Lira Pereira |
| GIVEN NAMES | Catarina Lira |
| FAMILY NAME | Pereira |
| SIGNATURE | PEREIRA C L |
| AFFILIATIONS | Universidade do Porto |
| ORCID | 0000-0003-0552-3946 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Mural painting and (ir)reproducibility in the age of AI
This paper examines mural painting in the digital and AI age and asks what follows for reproducibility, authenticity, and cultural meaning. The point of departure is Benjamin’s aura, recast through three linked ideas: situated aura, as the co-presence of body, work, and site; file aura, as the value an image acquires through capture, addressability, and circulation; and situational non-commutability, as the limit that blocks substitution of one o…
Entrevista a David Evans
David Evans, de origem britânica, reside em Portugal desde 1966. Pintor autodidata, tem um percurso marcado por numerosas exposições coletivas e individuais. Foi diretor da Galeria Judite Dacruz no início dos anos 70, desempenhou funções de professor durante cerca de 30 anos e foi, mais tarde, diretor de Estudos Ingleses no British Council, em Lisboa. É, atualmente, investigador na área de estudos anglo-portugueses da Universidade Nova de Lisboa …
No prominent works on this page.
Entrevista a David Evans
David Evans, de origem britânica, reside em Portugal desde 1966. Pintor autodidata, tem um percurso marcado por numerosas exposições coletivas e individuais. Foi diretor da Galeria Judite Dacruz no início dos anos 70, desempenhou funções de professor durante cerca de 30 anos e foi, mais tarde, diretor de Estudos Ingleses no British Council, em Lisboa. É, atualmente, investigador na área de estudos anglo-portugueses da Universidade Nova de Lisboa …
Mural painting and (ir)reproducibility in the age of AI
This paper examines mural painting in the digital and AI age and asks what follows for reproducibility, authenticity, and cultural meaning. The point of departure is Benjamin’s aura, recast through three linked ideas: situated aura, as the co-presence of body, work, and site; file aura, as the value an image acquires through capture, addressability, and circulation; and situational non-commutability, as the limit that blocks substitution of one o…
Art, Politics, and Modernism (2 works) · Mural (2 works) · Painting (2 works) · Art (1 work) · Art history (1 work) · Arts and Performance Studies (1 work) · Context (archaeology) (1 work) · Documentation (1 work) · Humanities (1 work) · Performing arts (1 work)