Kelly Rafferty
Biographic Data
| ID | 3990615 |
|---|---|
| NAME | Kelly Rafferty |
| GIVEN NAMES | Kelly |
| FAMILY NAME | Rafferty |
| SIGNATURE | RAFFERTY K |
| AFFILIATIONS | Kelly Rafferty is an artist-scholar and educator based in Oakland, CA. She is a former Humanities Fellow of the Berkeley Stem Cell Center, which funded the research and writing of this essay. Additional support came from Arizona State University, where she was Assistant Professor of Performance Studies from 2010–2012. She received a PhD in Performance Studies from the University of California, Berkeley. |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
Regeneration
As the Science Gallery of Dublin's Trinity College celebrates 10 years of art-science collaboration at SymbioticA, how are artists and critics articulating the politics of bioart? Recasting the Tissue Culture and Art Project's Pig Wings Project (2002) within a genealogy of feminist maintenance art highlights bioart's capacity to engage meaningfully with gender, race, and class in biotechnology
The Wendy House
The Wendy House Heather Warren-Crow (bio) and Kelly Rafferty (bio) Such Is the Magic of Power If J. M. Barrie's play Peter Pan, or The Boy Who Wouldn't Grow Up and its reincarnations as Barrie's Peter and Wendy, Disney's Peter Pan, and Steven Spielberg's Hook have taught us anything, it's that enchantment is never unencumbered. It arrives entangled with lust, terror, (attempted) murder, and colonization. Consider the knotty subplot of Barrie's pl…
No prominent works on this page.
Regeneration
As the Science Gallery of Dublin's Trinity College celebrates 10 years of art-science collaboration at SymbioticA, how are artists and critics articulating the politics of bioart? Recasting the Tissue Culture and Art Project's Pig Wings Project (2002) within a genealogy of feminist maintenance art highlights bioart's capacity to engage meaningfully with gender, race, and class in biotechnology
The Wendy House
The Wendy House Heather Warren-Crow (bio) and Kelly Rafferty (bio) Such Is the Magic of Power If J. M. Barrie's play Peter Pan, or The Boy Who Wouldn't Grow Up and its reincarnations as Barrie's Peter and Wendy, Disney's Peter Pan, and Steven Spielberg's Hook have taught us anything, it's that enchantment is never unencumbered. It arrives entangled with lust, terror, (attempted) murder, and colonization. Consider the knotty subplot of Barrie's pl…
Art (2 works) · Art history (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Biology (1 work) · Biomedical Ethics and Regulation (1 work)