Regeneration
Tissue Engineering, Maintenance, and the Time of Performance
Bibliographic Data
| ID | 14997353 |
|---|---|
| Authors | Kelly Rafferty (Kelly Rafferty is an artist-scholar and educator based in Oakland, CA. She is a former Humanities Fellow of the Berkeley Stem Cell Center, which funded the research and writing of this essay. Additional support came from Arizona State University, where she was Assistant Professor of Performance Studies from 2010–2012. She received a PhD in Performance Studies from the University of California, Berkeley., corresponding author) |
| Year | 2012 |
| Volume | 56 |
| Issue | 3 |
| Pages | 82-99 |
| Publication date | 2012-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00189 |
| OpenAlex | W2151843797 |
| Language | EN |
| Citations received | 2 |
| References cited | 12 |
As the Science Gallery of Dublin's Trinity College celebrates 10 years of art-science collaboration at SymbioticA, how are artists and critics articulating the politics of bioart? Recasting the Tissue Culture and Art Project's Pig Wings Project (2002) within a genealogy of feminist maintenance art highlights bioart's capacity to engage meaningfully with gender, race, and class in biotechnology
Aesthetics · Art · Art history · Biology · Class (philosophy · Epistemology · Political science · Politics · Race (biology · Regeneration (biology · Sociology · Visual arts · Biomedical Ethics and Regulation · Gender Studies · Geographies of human-animal interactions · Law · Neuroethics, Human Enhancement, Biomedical Innovations · Philosophy
| Citations per year | 0.15 |
|---|---|
| Citation span | 2013 - 2014 (2) |
| Highly cited | No |