Susan Fitzpatrick
Biographic Data
| ID | 3990764 |
|---|---|
| NAME | Susan Fitzpatrick |
| GIVEN NAMES | Susan |
| FAMILY NAME | Fitzpatrick |
| SIGNATURE | FITZPATRICK S |
| AFFILIATIONS | Virginia Commonwealth University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Situated responses to the post‐political city
It seems with the ever more complex instituting of aggressive neoliberal renewal policies comes an intensified effort to use the language of consensus and civic unity. The post‐political debate frames this discussion, and it is from this perspective that we propose a fuller consideration of urban renewal policy, and how these forces are embedded within the narrowing of what has been called the “properly political”. In bringing together accounts o…
Who is taking part? Political subjectivity and Glasgow's Commonwealth Games
This paper examines the problems of locating political subjectivity in the midst of the Glasgow Commonwealth Games of 2014 and takes as its starting point Rancière's contention that politics cannot be defined on the basis of any pre‐existing subject. The Commonwealth Games, as both policy vehicle and a form of knowing the world, constructs subjects through the invocation of “legacy”. This involves assuming a consensual populism within which socia…
Making space
This article considers the spatial politics of contemporary performance spaces constructed through DIY, improvised noise scenes. Noise (as something performed) is often categorized as “experimental,” “free,” or “avant garde.” It carries associations of emancipation, eschewing as it does conventional musical training, and the constraints of formal compositional and linguistic expression. Unfolding as a debate between the two authors, this article …
J. Clapp, Food
The Imaginary and Improvisation in Public Administration
This paper will demonstrate that Wolfgang Iser's concept of the imaginary as described in The Fictive and the Imaginary provides a theoretical basis for understanding the way the imaginary can work in organizational settings. First, Iser's insights suggest that the imaginary can be engaged but not controlled. The imaginary reveals itself through play, but the context in which play takes place influences the degree to which the imagination is free…
Who is taking part? Political subjectivity and Glasgow's Commonwealth Games
This paper examines the problems of locating political subjectivity in the midst of the Glasgow Commonwealth Games of 2014 and takes as its starting point Rancière's contention that politics cannot be defined on the basis of any pre‐existing subject. The Commonwealth Games, as both policy vehicle and a form of knowing the world, constructs subjects through the invocation of “legacy”. This involves assuming a consensual populism within which socia…
The Imaginary and Improvisation in Public Administration
This paper will demonstrate that Wolfgang Iser's concept of the imaginary as described in The Fictive and the Imaginary provides a theoretical basis for understanding the way the imaginary can work in organizational settings. First, Iser's insights suggest that the imaginary can be engaged but not controlled. The imaginary reveals itself through play, but the context in which play takes place influences the degree to which the imagination is free…
The Imaginary and Improvisation in Public Administration
This paper will demonstrate that Wolfgang Iser's concept of the imaginary as described in The Fictive and the Imaginary provides a theoretical basis for understanding the way the imaginary can work in organizational settings. First, Iser's insights suggest that the imaginary can be engaged but not controlled. The imaginary reveals itself through play, but the context in which play takes place influences the degree to which the imagination is free…
J. Clapp, Food
Making space
This article considers the spatial politics of contemporary performance spaces constructed through DIY, improvised noise scenes. Noise (as something performed) is often categorized as “experimental,” “free,” or “avant garde.” It carries associations of emancipation, eschewing as it does conventional musical training, and the constraints of formal compositional and linguistic expression. Unfolding as a debate between the two authors, this article …
Situated responses to the post‐political city
It seems with the ever more complex instituting of aggressive neoliberal renewal policies comes an intensified effort to use the language of consensus and civic unity. The post‐political debate frames this discussion, and it is from this perspective that we propose a fuller consideration of urban renewal policy, and how these forces are embedded within the narrowing of what has been called the “properly political”. In bringing together accounts o…
Who is taking part? Political subjectivity and Glasgow's Commonwealth Games
This paper examines the problems of locating political subjectivity in the midst of the Glasgow Commonwealth Games of 2014 and takes as its starting point Rancière's contention that politics cannot be defined on the basis of any pre‐existing subject. The Commonwealth Games, as both policy vehicle and a form of knowing the world, constructs subjects through the invocation of “legacy”. This involves assuming a consensual populism within which socia…
Sociology (5 works) · Epistemology (4 works) · Political science (4 works) · Law (3 works) · Philosophy (3 works) · Politics (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Action (physics) (1 works) · Argument (complex analysis) (1 works)