Karen Beckman
Biographic Data
| ID | 4001806 |
|---|---|
| NAME | Karen Beckman |
| GIVEN NAMES | Karen |
| FAMILY NAME | Beckman |
| SIGNATURE | BECKMAN K |
| AFFILIATIONS | Museum of Modern Art |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Animation, Abstraction, Sampling
Crash
and Eric Lau.You are all so different from each other, and I love each of you differently.There is no one in the world more fun to watch movies with than Siduri, Lua, and Bruno, but watching them is best of all.Michael Beckman-you know what I think of you-thank you so much for everything, and bring it on.This book is dedicated to Diana Fuss, who has been a kind and thoughtful
Nothing to Say
January 01 2009 Nothing to Say: The War on Terror and the Mad Photography of Roland Barthes Karen Beckman Karen Beckman Karen Beckman is the Elliot and Roslyn Jaffe Associate Professor of Film Studies in the department of the History of Art at the University of Pennsylvania, where she is the director of the program in Cinema Studies. She is also one of the editors of Grey Room. She is the author of Vanishing Women: Magic, Film and Feminism (Duke …
The Archive, the Phallus, and the Future
Research Article| May 01 2007 The Archive, the Phallus, and the Future Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Camera Obscura (2007) 22 (1 (64)): 186–193. https://doi.org/10.1215/02705346-2006-025 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citatio…
Trends in Police Research
This review represents the fourth in an annual special feature in Police Practice and Research: An International Journal. It provides a cross‐sectional analysis of the police literature for the year 2003, highlighting the substantive categories of the literature as well as the distribution of publication medium and methodological typology. In doing so, the authors provide a ‘snapshot’ of the current research trends in policing and, using the resu…
Impossible Spaces and Philosophical Toys
January 01 2006 Impossible Spaces and Philosophical Toys: An Interview with Zoe Beloff Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Scholar Author and Article Information Karen Beckman Online Issn: 1536-0105 Print Issn: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology2006 Grey Room (2006) (22): 68–85. https://doi.org/10.1162/152638106775434404 Cite Icon Cite Permissions Sh…
Trends in Police Research
This review represents the third in an annual special feature in Police Practice and Research: An International Journal. It provides a cross‐sectional analysis of the police literature for the year 2002, highlighting the substantive categories of the literature as well as distribution of publication medium and methodological typology. In doing so, the authors provide a ‘snap shot’ of the current research trends in policing and state both the subs…
Trends in Police Research
This review is the second in a special annual feature in Police Practice & Research: An International Journal. It provides a cross‐sectional analysis of the police literature for the year 2001 highlighting the substantive typologies that the literature falls under as well as publication mediums and methodological trends. In doing so, the authors provide a ‘snapshot’ of the current research trends in policing and, using the results of their 2000 r…
Dead Woman Glowing
Karen Beckman is an assistant professor of English and film studies at the University of Rochester. She is the author of Vanishing Women: Magic, Film, and Feminism (Duke University Press, 2003). She is currently working on the relationship between feminism and terrorism, and on the representation of car crashes in photography, film, and literature
Trends in police research
This review, which will appear as a special annual feature in Police Practice & Research: An International Journal , provides a cross-sectional analysis of police literature for the year 2000 highlighting the substantive typologies that the literature falls under as well as publication mediums and methodological trends. In doing so, the authors wish to provide a yearly 'snapshot' of current research trends in policing to state both the substantiv…
Vanishing Women
Surplus Bodies, Vanishing Women: Conjuring, Imperialism, and the Rhetoric of Disappearance, 1851-1901 -- Insubstantial Media: Ectoplasm, Exposure, and the Stillbirth of Film -- Mother Knows Best: Magic and Matricide -- Violent Vanishings: Hitchcock, Harlan, and the Politics of Prestidigitation -- Shooting Stars, Vanishing Comets: Bette Davis and Cinematic Fading
Film Falls Apart
July 01 2003 Film Falls Apart: Crash, Semen, and Pop Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Scholar Author and Article Information Karen Beckman Online Issn: 1536-0105 Print Issn: 1526-3819 © 2003 Grey Room, Inc. and Massachusetts Institute of Technology2003 Grey Room (2003) (12): 94–115. https://doi.org/10.1162/152638103322446488 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Ic…
Terrorism, Feminism, Sisters, and Twins
April 01 2002 Terrorism, Feminism, Sisters, and Twins: Building Relations in the Wake of the World Trade Center Attacks Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Scholar Author and Article Information Karen Beckman Online Issn: 1536-0105 Print Issn: 1526-3819 © 2002 Grey Room, Inc. and Massachusetts Institute of Technology2002 Grey Room (2002) (7): 24–39. https://doi.org/10.1162/152638102760104563 Cite…
Violent Vanishings
Research Article| September 01 1996 Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Camera Obscura (1996) 13 (3 (39)): 77–103. https://doi.org/10.1215/02705346-13-3_39-77 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Karen Beckman; Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman. Camera Obscura 1 Se…
Crash
and Eric Lau.You are all so different from each other, and I love each of you differently.There is no one in the world more fun to watch movies with than Siduri, Lua, and Bruno, but watching them is best of all.Michael Beckman-you know what I think of you-thank you so much for everything, and bring it on.This book is dedicated to Diana Fuss, who has been a kind and thoughtful
Nothing to Say
January 01 2009 Nothing to Say: The War on Terror and the Mad Photography of Roland Barthes Karen Beckman Karen Beckman Karen Beckman is the Elliot and Roslyn Jaffe Associate Professor of Film Studies in the department of the History of Art at the University of Pennsylvania, where she is the director of the program in Cinema Studies. She is also one of the editors of Grey Room. She is the author of Vanishing Women: Magic, Film and Feminism (Duke …
Dead Woman Glowing
Karen Beckman is an assistant professor of English and film studies at the University of Rochester. She is the author of Vanishing Women: Magic, Film, and Feminism (Duke University Press, 2003). She is currently working on the relationship between feminism and terrorism, and on the representation of car crashes in photography, film, and literature
Violent Vanishings
Research Article| September 01 1996 Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Camera Obscura (1996) 13 (3 (39)): 77–103. https://doi.org/10.1215/02705346-13-3_39-77 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Karen Beckman; Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman. Camera Obscura 1 Se…
Terrorism, Feminism, Sisters, and Twins
April 01 2002 Terrorism, Feminism, Sisters, and Twins: Building Relations in the Wake of the World Trade Center Attacks Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Scholar Author and Article Information Karen Beckman Online Issn: 1536-0105 Print Issn: 1526-3819 © 2002 Grey Room, Inc. and Massachusetts Institute of Technology2002 Grey Room (2002) (7): 24–39. https://doi.org/10.1162/152638102760104563 Cite…
Trends in police research
This review, which will appear as a special annual feature in Police Practice & Research: An International Journal , provides a cross-sectional analysis of police literature for the year 2000 highlighting the substantive typologies that the literature falls under as well as publication mediums and methodological trends. In doing so, the authors wish to provide a yearly 'snapshot' of current research trends in policing to state both the substantiv…
Vanishing Women
Surplus Bodies, Vanishing Women: Conjuring, Imperialism, and the Rhetoric of Disappearance, 1851-1901 -- Insubstantial Media: Ectoplasm, Exposure, and the Stillbirth of Film -- Mother Knows Best: Magic and Matricide -- Violent Vanishings: Hitchcock, Harlan, and the Politics of Prestidigitation -- Shooting Stars, Vanishing Comets: Bette Davis and Cinematic Fading
Film Falls Apart
July 01 2003 Film Falls Apart: Crash, Semen, and Pop Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Scholar Author and Article Information Karen Beckman Online Issn: 1536-0105 Print Issn: 1526-3819 © 2003 Grey Room, Inc. and Massachusetts Institute of Technology2003 Grey Room (2003) (12): 94–115. https://doi.org/10.1162/152638103322446488 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Ic…
Trends in Police Research
This review is the second in a special annual feature in Police Practice & Research: An International Journal. It provides a cross‐sectional analysis of the police literature for the year 2001 highlighting the substantive typologies that the literature falls under as well as publication mediums and methodological trends. In doing so, the authors provide a ‘snapshot’ of the current research trends in policing and, using the results of their 2000 r…
Dead Woman Glowing
Karen Beckman is an assistant professor of English and film studies at the University of Rochester. She is the author of Vanishing Women: Magic, Film, and Feminism (Duke University Press, 2003). She is currently working on the relationship between feminism and terrorism, and on the representation of car crashes in photography, film, and literature
Trends in Police Research
This review represents the third in an annual special feature in Police Practice and Research: An International Journal. It provides a cross‐sectional analysis of the police literature for the year 2002, highlighting the substantive categories of the literature as well as distribution of publication medium and methodological typology. In doing so, the authors provide a ‘snap shot’ of the current research trends in policing and state both the subs…
Trends in Police Research
This review represents the fourth in an annual special feature in Police Practice and Research: An International Journal. It provides a cross‐sectional analysis of the police literature for the year 2003, highlighting the substantive categories of the literature as well as the distribution of publication medium and methodological typology. In doing so, the authors provide a ‘snapshot’ of the current research trends in policing and, using the resu…
Impossible Spaces and Philosophical Toys
January 01 2006 Impossible Spaces and Philosophical Toys: An Interview with Zoe Beloff Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Scholar Author and Article Information Karen Beckman Online Issn: 1536-0105 Print Issn: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology2006 Grey Room (2006) (22): 68–85. https://doi.org/10.1162/152638106775434404 Cite Icon Cite Permissions Sh…
The Archive, the Phallus, and the Future
Research Article| May 01 2007 The Archive, the Phallus, and the Future Karen Beckman Karen Beckman Search for other works by this author on: This Site Google Camera Obscura (2007) 22 (1 (64)): 186–193. https://doi.org/10.1215/02705346-2006-025 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citatio…
Nothing to Say
January 01 2009 Nothing to Say: The War on Terror and the Mad Photography of Roland Barthes Karen Beckman Karen Beckman Karen Beckman is the Elliot and Roslyn Jaffe Associate Professor of Film Studies in the department of the History of Art at the University of Pennsylvania, where she is the director of the program in Cinema Studies. She is also one of the editors of Grey Room. She is the author of Vanishing Women: Magic, Film and Feminism (Duke …
Crash
and Eric Lau.You are all so different from each other, and I love each of you differently.There is no one in the world more fun to watch movies with than Siduri, Lua, and Bruno, but watching them is best of all.Michael Beckman-you know what I think of you-thank you so much for everything, and bring it on.This book is dedicated to Diana Fuss, who has been a kind and thoughtful
Animation, Abstraction, Sampling
Political science (8 works) · Art (6 works) · Computer Science (6 works) · Sociology (6 works) · Art history (5 works) · Psychology (5 works) · Citation (4 works) · Crime Patterns and Interventions (4 works) · Criminology (4 works) · Download (4 works)