Dead Woman Glowing
Karla Faye Tucker and the Aesthetics of Death Row Photography
Bibliographic Data
| ID | 11660218 |
|---|---|
| Authors | Karen Beckman (corresponding author) |
| Year | 2004 |
| Volume | 19 |
| Issue | 1 |
| Pages | 1-41 |
| Publication date | 2004-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Camera Obscura Feminism Culture and Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 0270-5346 • E-ISSN: 1529-1510 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/02705346-19-1_55-1 |
| OpenAlex | W2070273566 |
| Language | EN |
| Citations received | 2 |
| References cited | 9 |
Karen Beckman is an assistant professor of English and film studies at the University of Rochester. She is the author of Vanishing Women: Magic, Film, and Feminism (Duke University Press, 2003). She is currently working on the relationship between feminism and terrorism, and on the representation of car crashes in photography, film, and literature
Art · Art history · Feminism · MAGIC (telescope · Photography · Political science · Politics · Representation (politics · Sociology · Visual arts · Crime and Detective Fiction Studies · Gender Studies · Gothic Literature and Media Analysis · Law · Literature, Film, and Journalism Analysis
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2014 - 2026 (13) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |