James Haar
Biographic Data
| ID | 4010705 |
|---|---|
| NAME | James Haar |
| GIVEN NAMES | James |
| FAMILY NAME | Haar |
| SIGNATURE | HAAR J |
| AFFILIATIONS | University of North Carolina at Chapel Hill |
| VERIFIED | No |
| TOTAL WORKS | 47 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 45 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1964 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Western Plainchant in the First Millennium: Studies in the Medieval Liturgy and Its Music
Science and Art of Renaissance Music
Singing Poetry in Renaissance Florence: The Cantasi Come Tradition (1375–1550)
Blake Wilson. Singing Poetry in Renaissance Florence: The Cantasi Come Tradition (1375–1550). Italian Medieval and Renaissance Studies. Florence: Leo S. Olschki, 2009. 291 pp. + CD-ROM. index. append. illus. tbls. 荤35. ISBN: 978–88–222–5810–6. - Volume 63 Issue 1
The Crisis of Music in Early Modern Europe, 1470–1530
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Music and Ideas in the Sixteenth and Seventeenth Centuries
Claude V. Palisca. Music and Ideas in the Sixteenth and Seventeenth Centuries. Ed. Thomas V. Mathiesen. Studies in the History of Music Theory and Literature 1. Urbana : University of Illinois Press, 2006. x + 302 pp. index. append. illus. tbls. chron. bibl. $35. ISBN: 978-0-252-03156-4. - Volume 60 Issue 3
Raffaele Brandolini, on Music and Poetry (De musica et poesia, 1513)
Moyer Ann E., ed. and trans., Brandolini Raffaele, On Music and Poetry (De musica et poesia, 1513) Tempe: Arizona Center for Medieval and Renaissance Studies, 2001. xxxv + 124 pp. $34. ISBN: 0-86698-274-4. - Volume 55 Issue 4
Music and Musicians in Renaissance Cities and Towns
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Lassus [Orlando di Lasso], Orlande [Roland] de
Bembo, Pietro
Dalla Viola family
Madrigal
Maistre Jhan
Viola, Francesco
Lassus family
Serafino de’ Ciminelli dall’Aquila
Dalla Viola, Alfonso
Boyleau [Boileau, Beaqua], Simon
Doni, Antonfrancesco
Reese, Gustave
Hoste [L’Hoste, L’Osto, Oste] da Reggio
Arcadelt [Archadelt, Arcadet], Jacques
Th century Italian madrigal
Festa, Sebastiano
Cimello, Giovanthomaso
Festa, Costanzo
Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca
The Frontispiece of Gafori's Practica Musicae (1496)
The depiction of celestial harmony (fig. 1) used as title page for the first edition of the Practica Musicae has been a great favorite among art historians of iconographic bent; Warburg, Panofsky, Seznec, and Wind have all reproduced and commented on this woodcut at some length. The frontispiece has nothing really to do with the contents of the Practica—no more, say, than the Boethian frontispiece of the thirteenth-century Pluteus manuscript has …
Chanson and Madrigal, 1480-1530: Studies in Comparison and Contrast, a Conference at Isham Memorial Library, September 13-14 1961
Notes on the ‘Dialogo Della Musica’ of Antonfrancesco Doni
Journal Article NOTES ON THE ‘DIALOGO DELLA MUSICA’ OF ANTONFRANCESCO DONI Get access JAMES HAAR JAMES HAAR Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 3, July 1966, Pages 198–224, https://doi.org/10.1093/ml/47.3.198 Published: 01 July 1966
Roger Caperon and Ramos de Pareia
Select Italian Madrigals
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The Frontispiece of Gafori's Practica Musicae (1496)
The depiction of celestial harmony (fig. 1) used as title page for the first edition of the Practica Musicae has been a great favorite among art historians of iconographic bent; Warburg, Panofsky, Seznec, and Wind have all reproduced and commented on this woodcut at some length. The frontispiece has nothing really to do with the contents of the Practica—no more, say, than the Boethian frontispiece of the thirteenth-century Pluteus manuscript has …
A Gift of Madrigals and Motets
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Il settimo libro de madrigali a cinque voci
Luca Marenzio. Il settimo libro de madrigali a cinque voci, ed. John Steele. (Le opere complete di Luca Marenzio, V. 7) New York: Les Editions Renaissantes, 1975. 3 fascicles; 111 pp. $5 each fascicle. - Luca Marenzio. Il settimo libro de madrigali a cinque voci: canto, tenore, alto, basso, quinto. New York: Les Editions Renaissantes, 1974. Facs. of 1595 ed. 5 parts, 21 pp. each. $13.50. - Volume 30 Issue 1
The "Libro Primo" of Costanzo Festa
Mannerism in Italian Music and Culture, 1530-1630
Maria Rika Maniates. Mannerism in Italian Music and Culture, 1530-1630. Chapel Hill: The University of North Carolina Press, 1979. xx + 678 pp. $28.50. - Mannerism in Art, Literature, and Music: A Bibliography. Compiled by Richard Studing and Elizabeth Kruz. San Antonio: Trinity University Press, 1979. xvii+60 pp. $7.50. - Volume 33 Issue 4
The Early Madrigals of Lassus
The Early History of the Viol
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Word-Tone Relations in Musical Thought: From Antiquity to the Seventeenth Century
Don Harrán. Word- Tone Relations in Musical Thought: From Antiquity to the Seventeenth Century. (Musicological Studies and Documents, 40.) Stuttgart: American Institute of Musicology/Hänssler Verlag, 1986. xviii + 517 pp. $79. - Volume 41 Issue 2
Humanism in Italian Renaissance Musical Thought
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'Doulce memoire': "A Study of Performance Practices." By George Houle
Haar discusses Houle's 1990 book
In Defense of Music: The Case for Music as Argued by a Singer and Scholar of the Late Fifteenth Century
Don Harrán. In Defense of Music: The Case for Music as Argued by a Singer and Scholar of the Late Fifteenth Century. Lincoln, NE and London: University of Nebraska Press, 1989. xiii+ 175 pp. $29.95. - Volume 44 Issue 1
A Correspondence of Renaissance Musicians
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Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca
The Court Musicians in Florence during the Principate of the Medici, With a Reconstruction of the Artistic Establishment
Warren Kirkendale. The Court Musicians in Florence during the Principle of the Medici, With a Reconstruction of the Artistic Establishment. Florence: Leo S. Olschki, 1993. 13 pls. + 752 pp. L140,000. - Volume 48 Issue 4
Palestrina as Historicist: The Two L'homme armé Masses
Two traits distinguishing the music of the Renaissance may be singled out as relevant to this study: a spirit of emulation leading to appropriation by composers of various aspects of the music of their peers and the development, to a degree not previously seen, of a historical sense. Both in my opinion play a role in the choices made by Palestrina in approaching the L'homme armé theme
Mourning into Joy: Music, Raphael, and Saint Cecilia
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The Rise of European Music, 1380-1500
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Lassus [Orlando di Lasso], Orlande [Roland] de
Bembo, Pietro
Dalla Viola family
Madrigal
Art (29 works) · Art history (21 works) · History (14 works) · History (13 works) · Computer Science (11 works) · Musicology and Musical Analysis (9 works) · Historical Influence and Diplomacy (8 works) · Humanities (8 works) · Classics (7 works) · Classics (7 works)