Word-Tone Relations in Musical Thought
From Antiquity to the Seventeenth Century
Bibliographic Data
| ID | 10428529 |
|---|---|
| Authors | James Haar (University of North Carolina at Chapel Hill, corresponding author) |
| Year | 1988 |
| Volume | 41 |
| Issue | 2 |
| Pages | 316-320 |
| Publication date | 1988-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Renaissance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0034-4338 • E-ISSN: 1935-0236 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/2862219 |
| OpenAlex | W2322547222 |
| Language | EN |
Don Harrán. Word- Tone Relations in Musical Thought: From Antiquity to the Seventeenth Century. (Musicological Studies and Documents, 40.) Stuttgart: American Institute of Musicology/Hänssler Verlag, 1986. xviii + 517 pp. $79. - Volume 41 Issue 2
Art · Art history · Humanities · Literature · Musical · Musicology · Stuttgart · Tone (literature · Classics · Historical Geography and Cartography · Historical Influence and Diplomacy · History · Renaissance Literature and Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |