Lazar Barać
Biographic Data
| ID | 4045104 |
|---|---|
| NAME | Lazar Barać |
| GIVEN NAMES | Lazar |
| FAMILY NAME | Barać |
| SIGNATURE | BARAĆ L |
| AFFILIATIONS | Institute of Ethnology |
| ORCID | 0009-0003-0360-5275 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“The Balkans Tattooed on the Skin”: The Reception of Balkan Trap/Trap-Folk through the Musical Habitus of Second-Generation Serbian Migrants in Vicenza
The new millennium has ushered in a new era of popular music in which the Balkans and Balkanism have moved to the center of musical narratives. Although often vague and internally contradictory, the image of the Balkans as a place of poverty, passion, violence, nightlife, crime, and love has proven compatible with the rise of trap music, which emerged from the “Dirty South” of the United States and came to dominate the global music scene. Over th…
Made in the Balkans: A Contribution to Understanding Balkan Trap/ Trap-Folk as a Musical Genre and Cultural Phenomenon
Balkan trap/trap-folk is a hybrid, glocal genre that encompasses a wide range of global and local musical practices, characterized by continuous transformations and commercialization. It emerged after 2010, following the rise of global trap and its associated technologies into the mainstream. In the local context, the foundations for the development of trap were laid through its genre predecessors, shifts in music production, and the growing infl…
Transnational business strategies of Serbian entrepreneurs in Vienna
This paper explores the transnational business strategies of Serbian entrepreneurs in Vienna by analyzing their migration trajectories, social networks, and business models. The study is based on ethnographic research and data collected through semi-structured in-depth interviews conducted with Serbian entrepreneurs in Vienna. By examining the narratives of the respondents, the paper identifies key patterns in their entrepreneurial practices, inc…
Folk and its progeny: The transformation of popular folk music in Serbia from its inception to the present
Popular folk music encompasses a wide spectrum of musical practices associated with the ?broad popular masses.? In addition to reflecting diverse historical, economic, political, social, and cultural conditions, it also functions as a powerful marker of identity, playing a key role in the construction of cultural belonging. The emergence of local popular folk music can be traced back to the mid- 20th century, shaped by intensified intercultural e…
Migratory, Strategic and Ideological Aspects of Returning to the Countryside in Contemporary Serbia
Returning to the countryside is a complex concept that we frequently encounter during fieldwork, and its presence is becoming increasingly pronounced in public discourse. This paper aims to map and contextualize the migratory, strategic and ideological aspects of returning to the countryside, since environmental migrations, caused by environmental degradation, often serve as a framework for considering rural areas as an alternative to urban life.…
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Migratory, Strategic and Ideological Aspects of Returning to the Countryside in Contemporary Serbia
Returning to the countryside is a complex concept that we frequently encounter during fieldwork, and its presence is becoming increasingly pronounced in public discourse. This paper aims to map and contextualize the migratory, strategic and ideological aspects of returning to the countryside, since environmental migrations, caused by environmental degradation, often serve as a framework for considering rural areas as an alternative to urban life.…
Made in the Balkans: A Contribution to Understanding Balkan Trap/ Trap-Folk as a Musical Genre and Cultural Phenomenon
Balkan trap/trap-folk is a hybrid, glocal genre that encompasses a wide range of global and local musical practices, characterized by continuous transformations and commercialization. It emerged after 2010, following the rise of global trap and its associated technologies into the mainstream. In the local context, the foundations for the development of trap were laid through its genre predecessors, shifts in music production, and the growing infl…
Transnational business strategies of Serbian entrepreneurs in Vienna
This paper explores the transnational business strategies of Serbian entrepreneurs in Vienna by analyzing their migration trajectories, social networks, and business models. The study is based on ethnographic research and data collected through semi-structured in-depth interviews conducted with Serbian entrepreneurs in Vienna. By examining the narratives of the respondents, the paper identifies key patterns in their entrepreneurial practices, inc…
Folk and its progeny: The transformation of popular folk music in Serbia from its inception to the present
Popular folk music encompasses a wide spectrum of musical practices associated with the ?broad popular masses.? In addition to reflecting diverse historical, economic, political, social, and cultural conditions, it also functions as a powerful marker of identity, playing a key role in the construction of cultural belonging. The emergence of local popular folk music can be traced back to the mid- 20th century, shaped by intensified intercultural e…
“The Balkans Tattooed on the Skin”: The Reception of Balkan Trap/Trap-Folk through the Musical Habitus of Second-Generation Serbian Migrants in Vicenza
The new millennium has ushered in a new era of popular music in which the Balkans and Balkanism have moved to the center of musical narratives. Although often vague and internally contradictory, the image of the Balkans as a place of poverty, passion, violence, nightlife, crime, and love has proven compatible with the rise of trap music, which emerged from the “Dirty South” of the United States and came to dominate the global music scene. Over th…
Balkans: History, Politics, Society (2 works) · Musical (2 works) · Philosophy (2 works) · Serbian (2 works) · Art (1 works) · Business (1 works) · Business administration (1 works) · Cultural phenomenon (1 works) · Diaspora (1 works) · Diverse Musicological Studies (1 works)