Folk and its progeny
The transformation of popular folk music in Serbia from its inception to the present
Bibliographic Data
| ID | 14712475 |
|---|---|
| Authors | Lazar Barać (0009-0003-0360-5275, The Institute of Ethnography SASA) |
| Year | 2025 |
| Volume | 73 |
| Issue | 2 |
| Pages | 239-265 |
| Publication date | 2025-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Glasnik Etnografskog instituta (JOURNAL) |
| Journal identifiers | ISSN: 0350-0861 • E-ISSN: 2334-8259 |
| Publisher | National Library of Serbia (PUBLISHER • RS) |
| DOI | 10.2298/gei2502239b |
| Language | EN |
| References cited | 27 |
Popular folk music encompasses a wide spectrum of musical practices associated with the ?broad popular masses.? In addition to reflecting diverse historical, economic, political, social, and cultural conditions, it also functions as a powerful marker of identity, playing a key role in the construction of cultural belonging. The emergence of local popular folk music can be traced back to the mid- 20th century, shaped by intensified intercultural exchange, the development of musical technologies, the professionalization and stylization of traditional folk forms, as well as the institutionalization of the popular music industry. Within broader socio-political frameworks, this complex musical form has been deeply embedded in political ?struggles? and negotiations over the articulation of an optimal national identity. The trajectory of popular folk music - from neo-folk and turbo-folk to contemporary folk forms such as pop-folk, trapfolk, and folk-drill - reflects a historically contingent and contextually specific transformation shaped by a range of interrelated factors: a) technological shifts - from gramophones and radio to digital platforms and artificial intelligence, b) epistemological shifts - from modernist to postmodernist paradigm, and c) broader social, cultural, economic, and political transformations (socialism, post-socialist transition, neoliberalism). These factors serve as the analytical backbone of the paper and as key contextual and conceptual nodes in an effort to offer a brief and modest reconstruction of the historical trajectory and transformation of this complex and dynamic phenomenon
Introduction
The Balkans of the Balkans
Popular music and postmodern theory
Made in the Balkans
"A Raindrop in the Ocean for a Kafana in the Balkans"
Turbotronic
Turbotronik – On the Border between the Local Music Scene and a Genre in the Making
The Influence of Music on Interethnic Relations of Sarajevo and Mostar’s Inhabitants
Turbo-folk Rocks!”
Turbo-folk and ethnicity in the mirror of the perception of the youtube users
Variants of „Third Serbia“
Assessing Turbofolk Controversies
Generation Number One
The Concept of Formula in the Study of Popular Literature
Definition of Folk Music
Sound Studies
Reality of Trap
Reception of Neofolk Music in Slovenia
Made in the Balkans, Ready to Use at Home
From source to commodity
Neoliberalism
| Citation velocity | historical |
|---|---|
| Highly cited | No |