Sound Studies
New Technologies and Music
Bibliographic Data
| ID | 5820784 |
|---|---|
| Authors | Trevor Pinch (0000-0001-6938-2199, Cornell University, corresponding author), Karin Bijsterveld (0000-0002-8606-3437, Technology and Society Studies Department, University of Maastricht, The Netherlands,, corresponding author) |
| Year | 2004 |
| Volume | 34 |
| Issue | 5 |
| Pages | 635-648 |
| Publication date | 2004-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Social Studies of Science (JOURNAL) |
| Journal identifiers | ISSN: 0306-3127 • E-ISSN: 1460-3659 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0306312704047615 |
| OpenAlex | W2587907344 |
| Language | EN |
| Citations received | 59 |
| References cited | 29 |
Developments in sound technologies over the last 50 years have dramatically changed the way that music is produced and consumed. In the 19th century most music was experienced as live performance. Today most music is listened to individually through technologically mediated devices, such as a personal stereo or a personal computer that enables the downloading of MP3 files over the Internet, and in the past few decades music has been produced with new electronic instruments such as the Theremin, the Hammond Organ, the electric guitar, the synthesizer, and the digital sampler. Technologies such as the phonograph, tape-recorder, and compact disk have enabled 'sound' to be produced, controlled, and manipulated independently from musicians. In today's recording studios the sound engineers can be as important in the production of 'the sound' as are the musicians themselves. But how can such changes be understood and what do they mean for listeners and for science and technology studies (ST new means of manipulating and controlling sound in the studio, such as microphones, reverberation units, mixing consoles, and new forms of networking software; new forms of technologically mediated listening, such as audiophilia
Audio equipment · Electronic music · Guitar · Music technology · Phonograph · Music and Audio Processing · Music History and Culture · Music Technology and Sound Studies
Investigating the interactions between individuals and music technologies within contemporary modes of music consumption
Music, Mediation Theories and Actor-Network Theory
The Architects of Rock and Roll
Malleability and Machines
The Anthropology of Radio Fields
Afterword
Pejzaże dźwiękowe w literaturze dziecięcej i młodzieżowej – komunikat z badań
Creative trust
Boundless Grooves
Sound Studies and East Asian STS
Barbarous Howling, Sonic Space, and Identity
Taming the Noise
Practices and Educational Affordances of Sound in the Postcolonial Hong Kong Protests
Folk and its progeny
Musical preferences and technologies
Memory machines or musical instruments
Empty Minds
Turning Aggression into an Object of Intervention
Creative uses of low tech in Bamako recording studios (Mali)
Prince’s Rhythm Programming
(Dis)locating Democratization
Estudios de sonido
Data Echoes
Sounding the field
Two or Three Confusions About Vibrations
In Search of Sound
Spaces and Networks of Musical Creativity in the City
The Theology of Sound
(Pod)wodne słuchanie i dryfująca antropologia hydrodźwięku
Le studio d'enregistrement comme terrain en ethnomusicologie
Synesthetizing Sound Studies and the Sociology of Technology
Approximations
Precarious Plasticity
Record Producers' Best Practices For Artistic Direction-From Light Coaching To Deeper Collaboration With Musicians
Fixing the future? The controversy surrounding Tesla's 'Gigafactory Berlin-Brandenburg' as a site of contested future-making in times of climate change
Creating the Right 'Vibe
The sonic framing of place
Singing with Durham Cathedral
Introducing audio-vision into evidence
A deep dive into the collaborative networks of Yacht Rock
Listening for the hiss
The groove in the box
Estratégias de mediação cultural
L'économie de la découverte musicale à l'ère numérique
On the contingency of sound and listening
Negotiating contingency
Digital Recording and the Reconfiguration of Music as Performance
What, for me, constitutes life in a sound
Quiet Comfort
Say It Loud, I'm Black and I'm Proud
An anthropologist underwater
Analysing Everyday Sound Environments
The Broken Boundaries between Science and Technology Studies and Cultural Sociology
Studying Culture Differently
Getting It on Record
Sound on Sound
Sound-Politics in São Paulo
Screaming Yeast
Technology and institutions
Any sound you can imagine
Noise, Water, Meat
Sensuous Geographies
Listening in Paris
Music in Everyday Life
Village Bells
How Users Matter
Laboratory Life
A Little Dirt Never Hurt Anyone
Breaking into a World of Perfection
California Noise
The Diabolical Symphony of the Mechanical Age
Golden Ears and Meter Readers
The Network Studio
Engineering the Performance
Stage to Studio
Speaking of Sound
An Intermediary Between Production and Consumption
"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music
Music as a technology of the self
Aesthetics, Technology, and the Capitalization of Culture
The City of Din
Configuring the User
| Unique citing works | 59 |
|---|---|
| Citations per year | 2,81 |
| Citation span | 2005 - 2026 (22) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 55 |