Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Speaking of Sound

Language and the Professionalization of Sound-Recording Engineers

Bibliographic Data

ID5836740
AuthorsThomas Porcello (Vassar College, Vassar Colege Media Studies Development Project, corresponding author)
Year2004
Volume34
Issue5
Pages733-758
Publication date2004-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSocial Studies of Science (JOURNAL)
Journal identifiersISSN: 0306-3127 • E-ISSN: 1460-3659
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0306312704047328
OpenAlexW2073743567
LanguageEN
Citations received39
References cited11

This paper examines the role of speech-about-sound in sound-recording practice and the training of prospective sound engineers. The shift from apprenticeship to institutional learning in the mid-1980s is described as an effect of the digitization of the recording process, and provides a background to discussing how recording degree programs teach 'professional audition' to students via processes of instruction and internships. Two conversations recorded during a studio session are then analyzed to uncover the range of linguistic resources that novices and professionals use to talk about sound and to illustrate how talk about work is fundamental to the process of work. The paper concludes by suggesting that the institutional instructional model reconfigures the profession's tacit knowledge by making explicit discussion of sound more ingrained in professional training

Apprenticeship · Digitization · Tacit knowledge · Discourse Analysis in Language Studies · EFL/ESL Teaching and Learning · Language, Discourse, Communication Strategies

  • From performer to producer

    Open Access•Emre Ekici•Creative Industries Journal•2026

  • Introduction to “Synesthetic Encounters”

    Open Access•Aliyah B D Dewar, Juliet Pascal Glazer•Signs and Society•2026

  • Timbre Beyond Words

    Open Access•Juliet Pascal Glazer•Signs and Society•2026

  • L’autoformation, nouveau paradigme de développement de carrière dans le contexte numérique ? Regards sur le milieu musical montréalais

    Open Access•Sylvain Martet, Martin Lussier et al.•Tic & société•2020

  • “I Can’t Read Music”

    Open Access•Bernhard Steinbrecher•Rock Music Studies•2024

  • Working Interviews

    Open Access•Jacob Danson Faraday•Intersections Canadian Journal of…•2023

  • Soundscapes in English and Spanish

    Open Access•Rosario Caballero, Cheryl Paradis•Language and Cognition•2020

  • Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions

    Zachary Wallmark, Linh Nghiem et al.•Music Perception An Interdisciplina…•2021

  • Investigating the Shared Meaning of Metaphorical Sound Attributes

    Victor Rosi, Olivier Houix et al.•Music Perception An Interdisciplina…•2022

  • Descriptions of Improvisational Thinking by Expert Musicians Trained in Different Cultural Traditions

    Martin Norgaard, Matthew G Dunaway et al.•Bulletin of the Council for…•2023

  • Generalization of auditory expertise in audio engineers and instrumental musicians

    Open Access•Francesco Caprini, Sijia Zhao et al.•Cognition•2024

  • Independent music production

    Daniel A Walzer•Creative Industries Journal•2017

  • Tracklist and Credits

    Tara Rodgers•Leonardo Music Journal•2010

  • LM20 CD Companion Introduction

    Tara Rodgers•Leonardo Music Journal•2010

  • The MFA in Creative Writing

    Open Access•Clayton Childress, Alison Gerber•Professions and Professionalism•2015

  • JBZ (Abidjan) et Bogolan (Bamako)

    Open Access•Emmanuelle Olivier, Amandine Pras•Volume•2024

  • Let's Have At It

    Open Access•Rebekah Farrugia•Dancecult•2010

  • The architect's gaze

    Alexander Styhre•Culture and Organization•2011

  • Sound, silence, music

    Alexander Styhre•Culture and Organization•2012

  • The language of sound

    Open Access•Jenny Hartman, Cheryl Paradis•Cognitive Linguistics•2023

  • Shibboleths in the studio

    Open Access•Owen Marshall•Social Studies of Science•2020

  • Trading twitter

    Open Access•Joeri Bruyninckx•Social Studies of Science•2015

  • Evidence-based creativity

    Open Access•Chad Borkenhagen•Social Studies of Science•2017

  • What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers

    Open Access•Jan-Peter Herbst, Mark Mynett•Popular Music & Society•2022

  • Latent Elements in Pop Music Production

    Pat O’grady•Popular Music & Society•2017

  • Pathways to Becoming a Church Musician

    Stephen B Groce, Lewis A Groce et al.•Sociological Spectrum•2013

  • Meeting the Garden Halfway

    Joseph Browning•Ethnomusicology•2020

  • The Musicology of Record Production

    Open Access•Simon Zagorski-Thoma•twentieth-century music•2007

  • Sensory Linguistics

    Bronwyn Winter, Bodo Winter•Sensory Linguistics•2019

  • Sound Studies

    Open Access•Trevor Pinch, Karin Bijsterveld•Social Studies of Science•2004

  • Le studio d'enregistrement comme terrain en ethnomusicologie

    Ons Barnat•Ethnologies•2017

  • Record Producers' Best Practices For Artistic Direction-From Light Coaching To Deeper Collaboration With Musicians

    Amandine Pras, Caroline Cance et al.•Journal of New Music Research•2013

  • The Software Slump

    Open Access•Andrew Leyshon•Environment and Planning A…•2009

  • "Hustling" in film school as socialization for early career work in media industries

    Open Access•Ritesh Mehta•Poetics•2017

  • Lobbying for the ear, listening with the whole body

    Open Access•Alexandra Supper•Sound Studies•2016

  • Audio forensics behind the Iron Curtain

    Open Access•Anna Kvicalova•Sound Studies•2023

  • The Poetics of Signal Processing

    Jonathan Sterne, Tara Rodgers•differences•2011

  • Mixing for Parlak and Bowing for a Büyük Ses

    Eliot Bates•Ethnomusicology•2010

  • Feeling to Learn

    Open Access•Siv B Lie•Journal of Linguistic Anthropology•2022

  • Scientific knowledge

    Barry Barnes•Scientific knowledge•1996

  • Linguistic Anthropology

    Open Access•A Duranti•Linguistic Anthropology•1997

  • Personal Knowledge

    Michael Polanyi, Mary Jo Nye•Personal Knowledge•2015

  • From Craft to Art

    Open Access•Edward R Kealy•Sociology of Work and Occupations•1979

  • Seeing in Depth

    Open Access•Charles Goodwin•Social Studies of Science•1995

  • Talking about machines

    Julian E Orr•Talking about machines•1996

  • Communication, Music, and Speech about Music

    Steven Feld•Yearbook for Traditional Music•1984

  • Professional Vision

    Open Access•Charles Goodwin•American Anthropologist•1994

Unique citing works39
Citations per year1,77
Citation span2004 - 2026 (23)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 38

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae