Speaking of Sound
Language and the Professionalization of Sound-Recording Engineers
Bibliographic Data
| ID | 5836740 |
|---|---|
| Authors | Thomas Porcello (Vassar College, Vassar Colege Media Studies Development Project, corresponding author) |
| Year | 2004 |
| Volume | 34 |
| Issue | 5 |
| Pages | 733-758 |
| Publication date | 2004-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Social Studies of Science (JOURNAL) |
| Journal identifiers | ISSN: 0306-3127 • E-ISSN: 1460-3659 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0306312704047328 |
| OpenAlex | W2073743567 |
| Language | EN |
| Citations received | 39 |
| References cited | 11 |
This paper examines the role of speech-about-sound in sound-recording practice and the training of prospective sound engineers. The shift from apprenticeship to institutional learning in the mid-1980s is described as an effect of the digitization of the recording process, and provides a background to discussing how recording degree programs teach 'professional audition' to students via processes of instruction and internships. Two conversations recorded during a studio session are then analyzed to uncover the range of linguistic resources that novices and professionals use to talk about sound and to illustrate how talk about work is fundamental to the process of work. The paper concludes by suggesting that the institutional instructional model reconfigures the profession's tacit knowledge by making explicit discussion of sound more ingrained in professional training
Apprenticeship · Digitization · Tacit knowledge · Discourse Analysis in Language Studies · EFL/ESL Teaching and Learning · Language, Discourse, Communication Strategies
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Soundscapes in English and Spanish
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Descriptions of Improvisational Thinking by Expert Musicians Trained in Different Cultural Traditions
Generalization of auditory expertise in audio engineers and instrumental musicians
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Tracklist and Credits
LM20 CD Companion Introduction
The MFA in Creative Writing
JBZ (Abidjan) et Bogolan (Bamako)
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The architect's gaze
Sound, silence, music
The language of sound
Shibboleths in the studio
Trading twitter
Evidence-based creativity
What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers
Latent Elements in Pop Music Production
Pathways to Becoming a Church Musician
Meeting the Garden Halfway
The Musicology of Record Production
Sensory Linguistics
Sound Studies
Le studio d'enregistrement comme terrain en ethnomusicologie
Record Producers' Best Practices For Artistic Direction-From Light Coaching To Deeper Collaboration With Musicians
The Software Slump
"Hustling" in film school as socialization for early career work in media industries
Lobbying for the ear, listening with the whole body
Audio forensics behind the Iron Curtain
The Poetics of Signal Processing
Mixing for Parlak and Bowing for a Büyük Ses
Feeling to Learn
| Unique citing works | 39 |
|---|---|
| Citations per year | 1,77 |
| Citation span | 2004 - 2026 (23) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 38 |