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Lucie Uhlíková

Biographic Data

ID4048016
NAMELucie Uhlíková
GIVEN NAMESLucie
FAMILY NAMEUhlíková
SIGNATUREUHLÍKOVÁ L
AFFILIATIONSCzech Academy of Sciences, Institute of Ethnology
ORCID0000-0002-7633-8695
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Tradition and Its Conceptual Crossroads: Music and Dance Folklore in the Czech Lands as a Research Question

    Ústav evropské etnologie FF MU, Martina Pavlicová et al.•ARTICLE•Národopisný věstník•2024•Cited by: 1

    The study focuses on the changes in the concept of tradition in the context of the study of music and dance folklore in the Czech lands. In the field of ethnology, which focuses its attention not only on the present but also, and very importantly, on society in its historical dimension, tradition is a topic that researchers return to at different times. The text presents reflections on the changing scholarly terrain associated with music and danc…

  • Quid Pro Quo”: The Czech Folklore Revival Movement in the Light of Totalitarian Cultural Policy

    Open Access•Lucie Uhlíková, Martina Pavlicová•ARTICLE•Český lid•2023•Cited by: 1•References: 3

    The paper deals with the transformation of society and culture in totalitarianism through the example of the Czech folklore revival movement between 1948 and 1989. While describing the main objectives of communist cultural policy, the paper observes the reasons for the mass development of folk ensembles in the 1950s, the gradual transformations to their activity, and the philosophy behind it. The degree of cooperation between folk ensembles and p…

  • Něco za něco…“: Folklorní hnutí v českých zemích ve světle totalitární kulturní politiky

    Open Access•Martina Pavlicová, Lucie Uhlíková•ARTICLE•Český lid•2018

    The essay deals with the transformation of society and culture in totalitarianism with the example of the Czech folklore revival movement between 1948 and 1989. The text reflects the results of research that used the method of oral history in combination with the study of official and unofficial written and pictorial sources. While describing the principal objectives of the Communist cultural policy, the essay observes the reasons for the mass de…

  • Revitalising and innovating tradition: The individual motivations behind new songs in the Slovácko region

    Open Access•Lucie Uhlíková•ARTICLE•Glasnik Etnografskog instituta•2017

    This study focuses on new songs based upon the folklore tradition. It evaluates field research in the Slovácko region carried out over several years. The study analyses the role played by the individual as a creative figure, who builds upon the region’s song tradition and folklore studies in the latter half of the 20th century. Three specific cases are used to demonstrate individuals’ varying motivation, their personal creative input, and the var…

  • Tradition and Its Conceptual Crossroads: Music and Dance Folklore in the Czech Lands as a Research Question

    Ústav evropské etnologie FF MU, Martina Pavlicová et al.•ARTICLE•Národopisný věstník•2024•Cited by: 1

    The study focuses on the changes in the concept of tradition in the context of the study of music and dance folklore in the Czech lands. In the field of ethnology, which focuses its attention not only on the present but also, and very importantly, on society in its historical dimension, tradition is a topic that researchers return to at different times. The text presents reflections on the changing scholarly terrain associated with music and danc…

  • Quid Pro Quo”: The Czech Folklore Revival Movement in the Light of Totalitarian Cultural Policy

    Open Access•Lucie Uhlíková, Martina Pavlicová•ARTICLE•Český lid•2023•Cited by: 1•References: 3

    The paper deals with the transformation of society and culture in totalitarianism through the example of the Czech folklore revival movement between 1948 and 1989. While describing the main objectives of communist cultural policy, the paper observes the reasons for the mass development of folk ensembles in the 1950s, the gradual transformations to their activity, and the philosophy behind it. The degree of cooperation between folk ensembles and p…

  • Revitalising and innovating tradition: The individual motivations behind new songs in the Slovácko region

    Open Access•Lucie Uhlíková•ARTICLE•Glasnik Etnografskog instituta•2017

    This study focuses on new songs based upon the folklore tradition. It evaluates field research in the Slovácko region carried out over several years. The study analyses the role played by the individual as a creative figure, who builds upon the region’s song tradition and folklore studies in the latter half of the 20th century. Three specific cases are used to demonstrate individuals’ varying motivation, their personal creative input, and the var…

  • Něco za něco…“: Folklorní hnutí v českých zemích ve světle totalitární kulturní politiky

    Open Access•Martina Pavlicová, Lucie Uhlíková•ARTICLE•Český lid•2018

    The essay deals with the transformation of society and culture in totalitarianism with the example of the Czech folklore revival movement between 1948 and 1989. The text reflects the results of research that used the method of oral history in combination with the study of official and unofficial written and pictorial sources. While describing the principal objectives of the Communist cultural policy, the essay observes the reasons for the mass de…

  • Quid Pro Quo”: The Czech Folklore Revival Movement in the Light of Totalitarian Cultural Policy

    Open Access•Lucie Uhlíková, Martina Pavlicová•ARTICLE•Český lid•2023•Cited by: 1•References: 3

    The paper deals with the transformation of society and culture in totalitarianism through the example of the Czech folklore revival movement between 1948 and 1989. While describing the main objectives of communist cultural policy, the paper observes the reasons for the mass development of folk ensembles in the 1950s, the gradual transformations to their activity, and the philosophy behind it. The degree of cooperation between folk ensembles and p…

  • Tradition and Its Conceptual Crossroads: Music and Dance Folklore in the Czech Lands as a Research Question

    Ústav evropské etnologie FF MU, Martina Pavlicová et al.•ARTICLE•Národopisný věstník•2024•Cited by: 1

    The study focuses on the changes in the concept of tradition in the context of the study of music and dance folklore in the Czech lands. In the field of ethnology, which focuses its attention not only on the present but also, and very importantly, on society in its historical dimension, tradition is a topic that researchers return to at different times. The text presents reflections on the changing scholarly terrain associated with music and danc…

Aesthetics (3 works) · Art (3 works) · Folklore (3 works) · History (3 works) · Philosophy (3 works) · Sociology (3 works) · Archaeology (2 works) · Czech (2 works) · Diverse Musicological Studies (2 works) · Folklore, Mythology, and Literature Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae