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The Czech Folklore Revival Movement in the Light of Totalitarian Cultural Policy

Bibliographic Data

ID9784928
AuthorsLucie Uhlíková (0000-0002-7633-8695, corresponding author), Martina Pavlicová (0000-0002-4716-8850)
Year2023
Volume110
Issue2
Pages183-210
Publication date2023-06-25
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueČeský lid (JOURNAL)
Journal identifiersISSN: 0009-0794 • E-ISSN: 2570-9216
PublisherInstitute of Ethnology, Czech Academy of Sciences (PUBLISHER • CZ)
DOI10.21104/cl.2023.2.03
OpenAlexW4381852973
LanguageEN
Citations received1
References cited3

The paper deals with the transformation of society and culture in totalitarianism through the example of the Czech folklore revival movement between 1948 and 1989. While describing the main objectives of communist cultural policy, the paper observes the reasons for the mass development of folk ensembles in the 1950s, the gradual transformations to their activity, and the philosophy behind it. The degree of cooperation between folk ensembles and political power, as well as the exploitation of these troupes to promote the communist regime, was varied. Politically-engagé performances by such ensembles and their participation in events organized by the totalitarian state apparatus have resulted in many Czech people adopting a negative attitude towards the folklore revival movement as a whole. In the fact most members of these ensembles were not motivated by politics – for many of them, this leisure activity was an escape from reality to the romantically viewed world of folk tradition

Aesthetics · Art · Communism · Communist state · Czech · Folklore · Movement (music · Political economy · Political science · Politics · Power (physics · Sociology · State (computer science · Status quo · Anthropology · Eastern European Communism and Reforms · European Cultural and National Identity · Historical Geopolitical and Social Dynamics · History · Law · Philosophy

  • Between Tradition and Innovation

    Open Access•Barbora Turčanová•Český lid•2024

  • Zítra se bude tančit všude, aneb jak jsme se protancovali ke svobodě. Dichotomie tzv. folklorního hnutí druhé poloviny 20. století

    Open Access•Daniela Stavělová•Český lid•2017

  • The origins of totalitarianism

    Hannah Arendt•The origins of totalitarianism•1976

  • An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change

    Juniper Hill, Caroline Bithell•Oxford Handbook of Music Revival•2013

Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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Open DOIOpen Access
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