David Hadar
Biographic Data
| ID | 4055447 |
|---|---|
| NAME | David Hadar |
| GIVEN NAMES | David |
| FAMILY NAME | Hadar |
| SIGNATURE | HADAR D |
| AFFILIATIONS | Beit Berl College |
| ORCID | 0000-0003-1717-8609 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Creative Work Ethic and Autofiction
The rise of autofiction in the 2010s can be partially explained by the genre’s reflection of the contemporary work ethic, specifically its demand to use personal life as part of people’s work. Readers can recognize their tendency to use life for work in the way autofiction writers utilize their experience to write. This paper argues that Sheila Heti’s How Should a Person Be? (2010), one of the primary examples of contemporary autofiction, deals w…
Gratitude notebooks in Israeli youths’ Holocaust journeys to Poland
Teachers as workers and the creative work ethic in education research
This article aims to raise education researchers’ self-reflection about their treatment of teachers as workers through introducing the term “creative work ethic.” At its core, the creative work ethic is the belief that good work entails innovation. Additional features of this ethic are the prizing self-motivation, work done individually, and a flexible schedule that mixes labor with leisure activities. The danger of the creative work ethic is a t…
Magical American Jew
Aaron Tillman’s Magical American Jew: The Enigma of Difference in Contemporary Jewish American Short Fiction and Film is a worthy contribution to our understanding of the workings of Jewish identity within a number of canonical as well as less known short stories, a movie, and a stand-up performance. Tillman is skilled at reading the interplay of belonging in the United States and being an outsider at the same time, even in texts by writers and p…
The Ungrateful Child Refugee
Media coverage of refugee crises tends toward the sensationalistic and sentimental, turning mass suffering into a news spectacle. We read about long, perilous journeys; we learn about the recurring
Sayed Kashua’s Complaint against Philip Roth
This paper highlights what seems to the author an insufficiently examined way of relating one writer to another: a writer’s decision to textually align him- or herself with another author. Intertextuality is usually not thought of as connecting two people or two authors, but rather two texts. This paper does the former by looking at how Sayed Kashua, an Israeli Arab author and journalist, uses the image of Philip Roth in his newspaper columns. Fi…
The Wolf Man's Novel
The Wolf Man's Novel David Hadar (bio) This essay will argue that Sergei Pankejeff, or the "Wolf Man" (1887-1971), the subject of Freud's From the History of an Infantile Neurosis (1918 [1914]), desired to be a character in a novel. That is to say, he wished not only to behave like the heroes of his favorite works of fiction but also to have his life chronicled in a novelistic fashion. Recognizing the extent to which Pankejeff saw his treatment w…
The Ungrateful Child Refugee
Media coverage of refugee crises tends toward the sensationalistic and sentimental, turning mass suffering into a news spectacle. We read about long, perilous journeys; we learn about the recurring
The Wolf Man's Novel
The Wolf Man's Novel David Hadar (bio) This essay will argue that Sergei Pankejeff, or the "Wolf Man" (1887-1971), the subject of Freud's From the History of an Infantile Neurosis (1918 [1914]), desired to be a character in a novel. That is to say, he wished not only to behave like the heroes of his favorite works of fiction but also to have his life chronicled in a novelistic fashion. Recognizing the extent to which Pankejeff saw his treatment w…
The Wolf Man's Novel
The Wolf Man's Novel David Hadar (bio) This essay will argue that Sergei Pankejeff, or the "Wolf Man" (1887-1971), the subject of Freud's From the History of an Infantile Neurosis (1918 [1914]), desired to be a character in a novel. That is to say, he wished not only to behave like the heroes of his favorite works of fiction but also to have his life chronicled in a novelistic fashion. Recognizing the extent to which Pankejeff saw his treatment w…
The Ungrateful Child Refugee
Media coverage of refugee crises tends toward the sensationalistic and sentimental, turning mass suffering into a news spectacle. We read about long, perilous journeys; we learn about the recurring
Sayed Kashua’s Complaint against Philip Roth
This paper highlights what seems to the author an insufficiently examined way of relating one writer to another: a writer’s decision to textually align him- or herself with another author. Intertextuality is usually not thought of as connecting two people or two authors, but rather two texts. This paper does the former by looking at how Sayed Kashua, an Israeli Arab author and journalist, uses the image of Philip Roth in his newspaper columns. Fi…
Magical American Jew
Aaron Tillman’s Magical American Jew: The Enigma of Difference in Contemporary Jewish American Short Fiction and Film is a worthy contribution to our understanding of the workings of Jewish identity within a number of canonical as well as less known short stories, a movie, and a stand-up performance. Tillman is skilled at reading the interplay of belonging in the United States and being an outsider at the same time, even in texts by writers and p…
Teachers as workers and the creative work ethic in education research
This article aims to raise education researchers’ self-reflection about their treatment of teachers as workers through introducing the term “creative work ethic.” At its core, the creative work ethic is the belief that good work entails innovation. Additional features of this ethic are the prizing self-motivation, work done individually, and a flexible schedule that mixes labor with leisure activities. The danger of the creative work ethic is a t…
Creative Work Ethic and Autofiction
The rise of autofiction in the 2010s can be partially explained by the genre’s reflection of the contemporary work ethic, specifically its demand to use personal life as part of people’s work. Readers can recognize their tendency to use life for work in the way autofiction writers utilize their experience to write. This paper argues that Sheila Heti’s How Should a Person Be? (2010), one of the primary examples of contemporary autofiction, deals w…
Gratitude notebooks in Israeli youths’ Holocaust journeys to Poland
Art (6 works) · History (5 works) · Sociology (5 works) · Aesthetics (4 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Psychology (4 works) · Law (3 works) · Law (3 works)