Creative Work Ethic and Autofiction

The rise of autofiction in the 2010s can be partially explained by the genre’s reflection of the contemporary work ethic, specifically its demand to use personal life as part of people’s work. Readers can recognize their tendency to use life for work in the way autofiction writers utilize their experience to write. This paper argues that Sheila Heti’s How Should a Person Be? (2010), one of the primary examples of contemporary autofiction, deals with the idea of using life for work in the context of the increased expectation of employers that their workers do so. At first, social engagement and writing are presented as competing for the protagonist’s attention. Then through the development of her friendship with the painter Margaux and tape-recording their conversation, life turns into a resource for writing. Sheila hopes that the new relationship with a friend, mediated and preserved through recordings, will save her writing project. It is not just that life is an inspiration for writing, but that it actively contributes to work by providing a text that will be part of the novel we are reading. Then as the novel progresses, problems with this new arrangement come up, and we are asked to question the viability of subordinating personal relationships to work. By its end, a temporary truce between work and life is presented, one that may be satisfying to readers but does not subvert the contemporary work ethic

Aesthetics · Art · Biography · Conversation · Epistemology · Friendship · Life writing · Linguistics · Literature · Personal life · Social life · Social science · Sociology · Work ethic · Artistic and Creative Research · Communication · Contemporary Literature and Criticism · History · Philosophy · Short Stories in Global Literature