Nicky Levell
Biographic Data
| ID | 4146743 |
|---|---|
| NAME | Nicky Levell |
| GIVEN NAMES | Nicky |
| FAMILY NAME | Levell |
| SIGNATURE | LEVELL N |
| AFFILIATIONS | University of British Columbia |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Museums in the Pandemic: A Survey of Responses on the Current Crisis
Throughout human history, the spread of disease has closed borders, restricted civic movement, and fueled fear of the unknown; yet at the same time, it has helped build cultural resilience. On 11 March 2020 the World Health Organization (WHO) classified COVID-19 as a pandemic. The novel zoonotic disease, first reported to the WHO in December 2019, was no longer restricted to Wuhan or to China, as the highly contagious coronavirus had spread to mo…
Reproducing India: International Exhibitions and Victorian Tourism
Queen Victoria made a point of visiting the Crystal Palace's Indian Court on a number of occasions and confided in her journal that she was 'quite dazzled by the most splendid shawls and tissues'. In the late nineteenth century, there was, however, a marked deterioration in the quality and design of the 'traditional' Indian crafts being produced for the overseas market. The notion that the visuality of exhibits could stimulate the spectators' ima…
The poetics and prosaics of making exhibition: A personal reflection on the Centenary Gallery
By selecting and describing different life-stages in the production of one particular exhibition - the permanent ethnographic displays in the Centenary Gallery of the Homiman Museum, London - this paper examines the dialogical nature of exhibition making. From curatorial conception, through design, to the Museum's corporate modifications, the role of the curator as dominant producer is problematised and the differentiated languages of museum prac…
The poetics and prosaics of making exhibition: A personal reflection on the Centenary Gallery
By selecting and describing different life-stages in the production of one particular exhibition - the permanent ethnographic displays in the Centenary Gallery of the Homiman Museum, London - this paper examines the dialogical nature of exhibition making. From curatorial conception, through design, to the Museum's corporate modifications, the role of the curator as dominant producer is problematised and the differentiated languages of museum prac…
The poetics and prosaics of making exhibition: A personal reflection on the Centenary Gallery
By selecting and describing different life-stages in the production of one particular exhibition - the permanent ethnographic displays in the Centenary Gallery of the Homiman Museum, London - this paper examines the dialogical nature of exhibition making. From curatorial conception, through design, to the Museum's corporate modifications, the role of the curator as dominant producer is problematised and the differentiated languages of museum prac…
Reproducing India: International Exhibitions and Victorian Tourism
Queen Victoria made a point of visiting the Crystal Palace's Indian Court on a number of occasions and confided in her journal that she was 'quite dazzled by the most splendid shawls and tissues'. In the late nineteenth century, there was, however, a marked deterioration in the quality and design of the 'traditional' Indian crafts being produced for the overseas market. The notion that the visuality of exhibits could stimulate the spectators' ima…
Museums in the Pandemic: A Survey of Responses on the Current Crisis
Throughout human history, the spread of disease has closed borders, restricted civic movement, and fueled fear of the unknown; yet at the same time, it has helped build cultural resilience. On 11 March 2020 the World Health Organization (WHO) classified COVID-19 as a pandemic. The novel zoonotic disease, first reported to the WHO in December 2019, was no longer restricted to Wuhan or to China, as the highly contagious coronavirus had spread to mo…
Exhibition (3 works) · Archaeology (2 works) · Art (2 works) · Geography (2 works) · Media studies (2 works) · Museums and Cultural Heritage (2 works) · Sociology (2 works) · Tourism (2 works) · Visual arts (2 works) · Advertising (1 works)