Michael Kahr
Biographic Data
| ID | 4151867 |
|---|---|
| NAME | Michael Kahr |
| GIVEN NAMES | Michael |
| FAMILY NAME | Kahr |
| SIGNATURE | KAHR M |
| AFFILIATIONS | University of Music and Performing Arts Graz |
| ORCID | 0000-0002-2837-7841 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
The Routledge Companion to Jazz and Gender
Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Blac…
Routledge Companion of Jazz and Gender
The Jazz Institutes in Graz
In 1965, the Institute for Jazz at the University of Music and Performing Arts (then the Academy of Music) in Graz started to build a reputation as a pioneer in jazz education in Europe. Upon the establishment of a separate Institute for Jazz Research in 1971, the institution was able to position itself as an academic centre with a focus on both artistic practice and the academic study of jazz; as such, it also inspired other jazz programmes acro…
No prominent works on this page.
The Jazz Institutes in Graz
In 1965, the Institute for Jazz at the University of Music and Performing Arts (then the Academy of Music) in Graz started to build a reputation as a pioneer in jazz education in Europe. Upon the establishment of a separate Institute for Jazz Research in 1971, the institution was able to position itself as an academic centre with a focus on both artistic practice and the academic study of jazz; as such, it also inspired other jazz programmes acro…
The Routledge Companion to Jazz and Gender
Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Blac…
Routledge Companion of Jazz and Gender
Art (2 works) · Jazz (2 works) · Sociology (2 works) · Art history (1 work) · Arts, Culture, and Music Studies (1 work) · Criticism (1 work) · Gender identity in music (1 work) · Gender Studies (1 work) · Gender Studies (1 work) · Genres & Styles (1 work)