The Routledge Companion to Jazz and Gender
Bibliographic Data
| ID | 23768501 |
|---|---|
| Authors | James Reddan, Monika Herzig (0000-0002-0615-7936), Michael Kahr (0000-0002-2837-7841) |
| Year | 2022 |
| Publication date | 2022-08-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Routledge Companion of Jazz and Gender (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781003081876 |
| OpenAlex | W4289316201 |
| ISBN | 9781003081876 |
| Language | EN |
| Citations received | 12 |
Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Black Against the Stave : Black Modern Girls in British Interwar Jazz / Jessica Chow ; Trumpet Men : Performances of Masculinity in Jazz / Aaron J. Johnson ; Hard Bop Cool Pose : Bebop, the Blues, and Masculinity in the Music of Lee Morgan / Keith Karns ; Toward a Feminist Understanding of Jazz Curatorship / Kara Attrep ; The Girl in the Other Room : Generating New Open Knowledge for the Women of Jazz / M. Cristina Pattuelli and Karen Li-Lun Hwang ; The Rise of Queermisia in Jazz : Medicalization, Legislation, and Its Effects / Chloe Resler ; Constructing a Diverse and Inclusive Jazz Tradition : A Uchronic Narrative / Michael Kahr
Art · Art history · Jazz · Sociology · Gender Studies · History · Music History and Culture · Musicology and Musical Analysis · Theater, Performance, and Music History
SamBop NYC
“Paying Dues” and “Carrying Flags”
Teaching jazz history
Jazz and improvising
Revisiting Kenny G (Colloquy)
Revisiting Kenny G (Colloquy)
Revisiting Kenny G (Colloquy)
Revisiting Kenny G (Colloquy)
Introduction to the special issue
The dataset as Rhizomatic Heritage
“Being safe means you can feel uncomfortable”
Professional trajectories of women in jazz. A matter of gender, authenticity, and musical specialization
| Citations per year | 4 |
|---|---|
| Citation span | 2023 - 2025 (3) |
| Highly cited | No |