Monika Herzig
Biographic Data
| ID | 4495877 |
|---|---|
| NAME | Monika Herzig |
| GIVEN NAMES | Monika |
| FAMILY NAME | Herzig |
| SIGNATURE | HERZIG M |
| AFFILIATIONS | University of Jammu |
| ORCID | 0000-0002-0615-7936 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
But can she play
A growing body of empirical research on jazz and improvised music instrumentalists indicates a significant gender imbalance. This article focuses on a preliminary investigation which aims to uncover stereotyping effects on performance on a general (non-specialist) audience through gendered visual representations of jazz performers in the three conditions of all women, mixed, and all men groups. Audio recordings by the all-women group Sheroes were…
The Routledge Companion to Jazz and Gender
Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Blac…
Routledge Companion of Jazz and Gender
What the World Needs Now is Jazz
The worldwide lockdown caused by the COVID-19 pandemic initiated an economic crisis, especially in the performing arts world. With all events cancelled for many months and limited options to return to live performance in the future, the arts community had to respond quickly. The jazz model, specifically improvisational training, has been discussed frequently in the entrepreneurship literature as an important method for making decisions in uncerta…
No prominent works on this page.
What the World Needs Now is Jazz
The worldwide lockdown caused by the COVID-19 pandemic initiated an economic crisis, especially in the performing arts world. With all events cancelled for many months and limited options to return to live performance in the future, the arts community had to respond quickly. The jazz model, specifically improvisational training, has been discussed frequently in the entrepreneurship literature as an important method for making decisions in uncerta…
The Routledge Companion to Jazz and Gender
Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Blac…
Routledge Companion of Jazz and Gender
But can she play
A growing body of empirical research on jazz and improvised music instrumentalists indicates a significant gender imbalance. This article focuses on a preliminary investigation which aims to uncover stereotyping effects on performance on a general (non-specialist) audience through gendered visual representations of jazz performers in the three conditions of all women, mixed, and all men groups. Audio recordings by the all-women group Sheroes were…
Jazz (3 works) · Art (2 works) · Music History and Culture (2 works) · Sociology (2 works) · Aptitude (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Computer Science (1 work) · Cultural Industries and Urban Development (1 work) · Diverse Music Education Insights (1 work)