Yasemin Gencer
Biographic Data
| ID | 4160646 |
|---|---|
| NAME | Yasemin Gencer |
| GIVEN NAMES | Yasemin |
| FAMILY NAME | Gencer |
| SIGNATURE | GENCER Y |
| AFFILIATIONS | Institute for Advanced Study |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Translation, Print Media, and Image in Arab Modern Art
The anthology of primary sources presented in Modern Art in the Arab World reveals a wealth of ideas, attitudes, hopes, fears, and concerns surrounding the many facets of modernism and art. The essays therein provide first-hand accounts of developing art scenes from across the Arab world and their relationships to their audiences on local, national, transnational, and global scales. These documents, many of which have been translated from Arabic …
Face Value
Publicly visible forms of celebrating and commemorating Turkey's founding father predate his death and subsequent apotheosis in 1938. While markers of his visual ubiquity would increase with time, careful consideration of the full scope of visual materials from the earliest years of the republic demonstrate that the wheels of image-proliferation were in motion at the very earliest stages of the state's development. The widespread notoriety and fa…
We Are Family
Images of children appear with striking frequency in Turkish Republican cartoons produced in the years immediately following the War of Independence (1919–23). Turkish nationalistic ideology commonly conceives of the nation as a sacred entity worthy of the people’s devotion and often uses the metaphor of family and blood relations to describe a covenantal bond. Like the members of a family, a national community develops around ideas of shared cul…
The Islamic Manuscript Tradition
We Are Family
Images of children appear with striking frequency in Turkish Republican cartoons produced in the years immediately following the War of Independence (1919–23). Turkish nationalistic ideology commonly conceives of the nation as a sacred entity worthy of the people’s devotion and often uses the metaphor of family and blood relations to describe a covenantal bond. Like the members of a family, a national community develops around ideas of shared cul…
The Islamic Manuscript Tradition
We Are Family
Images of children appear with striking frequency in Turkish Republican cartoons produced in the years immediately following the War of Independence (1919–23). Turkish nationalistic ideology commonly conceives of the nation as a sacred entity worthy of the people’s devotion and often uses the metaphor of family and blood relations to describe a covenantal bond. Like the members of a family, a national community develops around ideas of shared cul…
Face Value
Publicly visible forms of celebrating and commemorating Turkey's founding father predate his death and subsequent apotheosis in 1938. While markers of his visual ubiquity would increase with time, careful consideration of the full scope of visual materials from the earliest years of the republic demonstrate that the wheels of image-proliferation were in motion at the very earliest stages of the state's development. The widespread notoriety and fa…
Translation, Print Media, and Image in Arab Modern Art
The anthology of primary sources presented in Modern Art in the Arab World reveals a wealth of ideas, attitudes, hopes, fears, and concerns surrounding the many facets of modernism and art. The essays therein provide first-hand accounts of developing art scenes from across the Arab world and their relationships to their audiences on local, national, transnational, and global scales. These documents, many of which have been translated from Arabic …
Art (4 works) · History (4 works) · Literature (4 works) · Aesthetics (3 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works) · Sociology (3 works) · History (2 works) · Law (2 works)