Translation, Print Media, and Image in Arab Modern Art
Bibliographic Data
| ID | 21222560 |
|---|---|
| Authors | Yasemin Gencer (Institute for Advanced Study, corresponding author) |
| Year | 2020 |
| Volume | 54 |
| Issue | 1 |
| Pages | 37-49 |
| Publication date | 2020-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Review of Middle East Studies (JOURNAL) |
| Journal identifiers | ISSN: 2151-3481 • E-ISSN: 2329-3225 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/rms.2020.6 |
| OpenAlex | W3093939357 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
The anthology of primary sources presented in Modern Art in the Arab World reveals a wealth of ideas, attitudes, hopes, fears, and concerns surrounding the many facets of modernism and art. The essays therein provide first-hand accounts of developing art scenes from across the Arab world and their relationships to their audiences on local, national, transnational, and global scales. These documents, many of which have been translated from Arabic or French into English for the first time, offer individual, in situ insights into a broad range of issues pertaining to art in the twentieth century while furnishing readers with numerous threads that connect these geographies with changes through time. Four matters in particular – the centrality of translation, print media, art, and image management to modernization – permeate this anthology's content and will be explored further in the following essay
Aesthetics · Arabic · Art · Centrality · Linguistics · Literature · Media studies · Modernization theory · Political science · Print media · Sociology · Visual arts · Hispanic-African Historical Relations · History · Law · Translation Studies and Practices · Visual Culture and Art Theory
| Citations per year | 0.2 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |