Yu-Yu Cheng
Biographic Data
| ID | 4160794 |
|---|---|
| NAME | Yu-Yu Cheng |
| GIVEN NAMES | Yu-Yu |
| FAMILY NAME | Cheng |
| SIGNATURE | CHENG Y |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
A Sino‒Thai Blue-and-White Porcelain at Umma
A blue-and-white porcelain lidded bottle housed at the University of Michigan Museum of Art stands as a significant representative from a collection of late 19th-century tea sets crafted in China for the Siamese court. This brief examination delves into crucial visual cues, such as the bottle’s distinct ringed-neck shape, incorporation of typical Chinese auspicious motifs, depictions of Siamese coinage and royal monograms from the Rama V period i…
The Fu Genre of Imperial China: Studies in the Rhapsodic Imagination
The “Natural Rhythm” Of Chinese Poetry: Physical and Linguistic Perspectives Since 1919
During the literary revolution, Hu Shi 胡適 (1891–1962) advocated the concept of natural rhythm, emphasizing the liberation of sound and the segmentation of meaning. Since 1919, his writings have attracted a great number of writers to reconceptualize the meaning and function of poetry and language. This study reviews critical discussions of the relationships among sound, meaning, and poetry by a number of Chinese scholars, from Tang Yue 唐鉞 (1891–19…
No prominent works on this page.
The “Natural Rhythm” Of Chinese Poetry: Physical and Linguistic Perspectives Since 1919
During the literary revolution, Hu Shi 胡適 (1891–1962) advocated the concept of natural rhythm, emphasizing the liberation of sound and the segmentation of meaning. Since 1919, his writings have attracted a great number of writers to reconceptualize the meaning and function of poetry and language. This study reviews critical discussions of the relationships among sound, meaning, and poetry by a number of Chinese scholars, from Tang Yue 唐鉞 (1891–19…
The Fu Genre of Imperial China: Studies in the Rhapsodic Imagination
A Sino‒Thai Blue-and-White Porcelain at Umma
A blue-and-white porcelain lidded bottle housed at the University of Michigan Museum of Art stands as a significant representative from a collection of late 19th-century tea sets crafted in China for the Siamese court. This brief examination delves into crucial visual cues, such as the bottle’s distinct ringed-neck shape, incorporation of typical Chinese auspicious motifs, depictions of Siamese coinage and royal monograms from the Rama V period i…
Archaeology (3 works) · Art (3 works) · History (3 works) · Aesthetics (2 works) · Ancient history (2 works) · China (2 works) · Chinese history and philosophy (2 works) · History (2 works) · Literature (2 works) · Poetry (2 works)