A Sino‒Thai Blue-and-White Porcelain at Umma
Bibliographic Data
| ID | 6157441 |
|---|---|
| Authors | Yu-Yu Cheng (University of Michigan), Trent Walker (0000-0002-2285-1979, University of Michigan) |
| Year | 2024 |
| Volume | 112 |
| Issue | 1 |
| Pages | 205-216 |
| Publication date | 2024-05-06 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the Siam Society (JOURNAL) |
| Journal identifiers | ISSN: 0304-226X • E-ISSN: 2651-1851 |
| Publisher | The Siam Society Under Royal Patronage (PUBLISHER) |
| DOI | 10.69486/112.1.2024.12 |
| OpenAlex | W4396665700 |
| Language | EN |
A blue-and-white porcelain lidded bottle housed at the University of Michigan Museum of Art stands as a significant representative from a collection of late 19th-century tea sets crafted in China for the Siamese court. This brief examination delves into crucial visual cues, such as the bottle’s distinct ringed-neck shape, incorporation of typical Chinese auspicious motifs, depictions of Siamese coinage and royal monograms from the Rama V period in its decorative patterns, and the presence of a Chinese-language hallmark on its base. These visual elements and inscriptions collectively unveil insights into the bottle’s purpose, origins, and its broader significance within the realm of Sino–Thai ceramics
Aesthetics · Ancient history · Archaeology · Art · Art history · China · Chinese art · Period (music · Realm · Visual arts · White (mutation · Chinese history and philosophy · History · Southeast Asian Sociopolitical Studies · Vietnamese History and Culture Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |