François Happe
Biographic Data
| ID | 4167888 |
|---|---|
| NAME | François Happe |
| GIVEN NAMES | François |
| FAMILY NAME | Happe |
| SIGNATURE | HAPPÉ F |
| AFFILIATIONS | Ministre de la Santé |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
An Interview with Tom Robbins
Tom Robbins est né en 1936 en Caroline du Nord. Son deuxième livre, Even Cowgirls Get the Blues , généralement qualifié de « roman culte », le propulse star de ce que Larry McCaffery appellera, pour le meilleur et pour le pire, « avant pop fiction ». Encore trop peu connu en France, ce « maître de la métaphore » livre avec une certaine parcimonie (neuf romans en près de quarante ans) des œuvres qui sont autant de regards critiques et savoureux su…
An Interview with Don DeLillo
Le banal et l'événement
Hailed as the emblematic «postmodern » novel by American academics, White Noise has received a largely uniform critical treatment that rarely ventures beyond the limits of cultural satire. This article aims at showing that such a reading gets bogged down in the banality that DeLillo uses for ironical purposes. I suggest that this novel is not a handbook on American supermarkets or Baudrillard' s simulacra, but a literary text, and that the only n…
L’image ironique
As repeatedly asserted (by Deleuze and Genette, among others), there is no repetition without variation, and the resulting gap is-almost invariably-filled with comment, as if it were in the nature of repetition to gloss on its own occurrence. Distance and comment being also inherent in ironic discourse, this essay focuses on the way DeLillo 's writing exploits the affinities between repetition and irony
La conspiration du hasard
The apparent complexity of Libra may be attributed to the fact that it is made up of overlapping stones : the conspiracy against Kennedy, Oswald's erratic life, the attempt to write the history of the assassination... As it emerges from the chaos of facts, the fiction imposes a pattern which barely hides its analogy with all the "theories that gleam like jade idols ". Such flaunting of artifice is meant to negate the very possibility of writing h…
Jade Idols' and 'Ruined Cities of Trivia
Voix et autorité dans End Zone, de Don DeLillo
End Zone may be read as the failure of two voices trying to assert their authority : the voice of the narrator, Gary Harkness, whose mastery over his own narrative is challenged by a parasitic, « authorial voice », and the voice of the single-minded coach, Creed, « a landlocked Ahab » embarked on the doomed pursuit of the original univocality of the Word. In a quasi-entropic movement, both voices, falling victims to « language's infinite treacher…
No prominent works on this page.
Voix et autorité dans End Zone, de Don DeLillo
End Zone may be read as the failure of two voices trying to assert their authority : the voice of the narrator, Gary Harkness, whose mastery over his own narrative is challenged by a parasitic, « authorial voice », and the voice of the single-minded coach, Creed, « a landlocked Ahab » embarked on the doomed pursuit of the original univocality of the Word. In a quasi-entropic movement, both voices, falling victims to « language's infinite treacher…
La conspiration du hasard
The apparent complexity of Libra may be attributed to the fact that it is made up of overlapping stones : the conspiracy against Kennedy, Oswald's erratic life, the attempt to write the history of the assassination... As it emerges from the chaos of facts, the fiction imposes a pattern which barely hides its analogy with all the "theories that gleam like jade idols ". Such flaunting of artifice is meant to negate the very possibility of writing h…
Jade Idols' and 'Ruined Cities of Trivia
L’image ironique
As repeatedly asserted (by Deleuze and Genette, among others), there is no repetition without variation, and the resulting gap is-almost invariably-filled with comment, as if it were in the nature of repetition to gloss on its own occurrence. Distance and comment being also inherent in ironic discourse, this essay focuses on the way DeLillo 's writing exploits the affinities between repetition and irony
Le banal et l'événement
Hailed as the emblematic «postmodern » novel by American academics, White Noise has received a largely uniform critical treatment that rarely ventures beyond the limits of cultural satire. This article aims at showing that such a reading gets bogged down in the banality that DeLillo uses for ironical purposes. I suggest that this novel is not a handbook on American supermarkets or Baudrillard' s simulacra, but a literary text, and that the only n…
An Interview with Don DeLillo
An Interview with Tom Robbins
Tom Robbins est né en 1936 en Caroline du Nord. Son deuxième livre, Even Cowgirls Get the Blues , généralement qualifié de « roman culte », le propulse star de ce que Larry McCaffery appellera, pour le meilleur et pour le pire, « avant pop fiction ». Encore trop peu connu en France, ce « maître de la métaphore » livre avec une certaine parcimonie (neuf romans en près de quarante ans) des œuvres qui sont autant de regards critiques et savoureux su…
Art (7 works) · Contemporary Literature and Criticism (5 works) · Literature (5 works) · History (4 works) · History (4 works) · Humanities (4 works) · Philosophy (4 works) · Philosophy (4 works) · Art history (3 works) · Linguistics (2 works)