Voix et autorité dans End Zone, de Don DeLillo
Bibliographic Data
| ID | 12032471 |
|---|---|
| Authors | François Happe (corresponding author) |
| Year | 1992 |
| Volume | 54 |
| Issue | 1 |
| Pages | 385-393 |
| Publication date | 1992-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Revue française d’études américaines (JOURNAL) |
| Journal identifiers | ISSN: 0397-7870 • E-ISSN: 1776-3061 |
| Publisher | Éditions Belin (PUBLISHER • FR) |
| DOI | 10.3406/rfea.1992.1834 |
| OpenAlex | W2590695785 |
| Language | FR |
End Zone may be read as the failure of two voices trying to assert their authority : the voice of the narrator, Gary Harkness, whose mastery over his own narrative is challenged by a parasitic, « authorial voice », and the voice of the single-minded coach, Creed, « a landlocked Ahab » embarked on the doomed pursuit of the original univocality of the Word. In a quasi-entropic movement, both voices, falling victims to « language's infinite treachery », lapse into silence
Aesthetics · Art · Creed · Literature · Narrative · Silence · Theology · History · Linguistics and Discourse Analysis · Philosophy
| Highly cited | No |
|---|