Kuo Huang
Biographic Data
| ID | 4169009 |
|---|---|
| NAME | Kuo Huang |
| GIVEN NAMES | Kuo |
| FAMILY NAME | Huang |
| SIGNATURE | HUANG K |
| AFFILIATIONS | Beijing Foreign Studies University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Friend or foe? Human journalists’ perspectives on artificial intelligence in Chinese media outlets
The development of the artificial intelligence (AI) platform Media Brain and the associated Xinhua AI news anchors have attracted a great deal of media attention. AI’s potential to boost the media value chain has prompted many media organizations to consider its broader applications in the media industry, but has also raised concerns among human journalists that they will be marginalized and ultimately replaced by AI. Using in-depth interviews, t…
Hero is Back- The rising of Chinese audiences
This article studies how Chinese audiences’ participation contributes to a new all-time animation box-office champ, “Monkey King: Hero is Back,” and how such participation may contribute to facilitating a richer and more varied cultural life in China in the future. This made-in-China animation film snatched the throne from DreamWorks Animation’s “Kung Fu Panda 2” by breaking the latter’s 4-year record (617 million RMB) after announcing its box-of…
The ‘going out’ of China Radio International
Radio developed in China in the 1920s and 1930s with the main purpose of communication. China Radio International (CRI) was first established under the name of Xinhua New Chinese Radio in December 1941, in Taihang Mountain by the Communist Party of China. The Chinese media 'going out' policy was implemented with governmental support in policies and funding and in 2009 the strategy to enhance Chinese media's international communication capacity wa…
Participative Chinese audiences – A case study of the reality show ‘Switching Spaces
No prominent works on this page.
Participative Chinese audiences – A case study of the reality show ‘Switching Spaces
Hero is Back- The rising of Chinese audiences
This article studies how Chinese audiences’ participation contributes to a new all-time animation box-office champ, “Monkey King: Hero is Back,” and how such participation may contribute to facilitating a richer and more varied cultural life in China in the future. This made-in-China animation film snatched the throne from DreamWorks Animation’s “Kung Fu Panda 2” by breaking the latter’s 4-year record (617 million RMB) after announcing its box-of…
The ‘going out’ of China Radio International
Radio developed in China in the 1920s and 1930s with the main purpose of communication. China Radio International (CRI) was first established under the name of Xinhua New Chinese Radio in December 1941, in Taihang Mountain by the Communist Party of China. The Chinese media 'going out' policy was implemented with governmental support in policies and funding and in 2009 the strategy to enhance Chinese media's international communication capacity wa…
Friend or foe? Human journalists’ perspectives on artificial intelligence in Chinese media outlets
The development of the artificial intelligence (AI) platform Media Brain and the associated Xinhua AI news anchors have attracted a great deal of media attention. AI’s potential to boost the media value chain has prompted many media organizations to consider its broader applications in the media industry, but has also raised concerns among human journalists that they will be marginalized and ultimately replaced by AI. Using in-depth interviews, t…
Media Studies and Communication (3 works) · Political science (3 works) · Psychology (3 works) · Sociology (3 works) · Business (2 works) · China (2 works) · Media Influence and Health (2 works) · Media studies (2 works) · Social Psychology (2 works) · Adaptability (1 work)