Linda Craig
Biographic Data
| ID | 4189035 |
|---|---|
| NAME | Linda Craig |
| GIVEN NAMES | Linda |
| FAMILY NAME | Craig |
| SIGNATURE | CRAIG L |
| AFFILIATIONS | University of East London |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 0 |
Exhuming Death of a Bureaucrat
Death of a Bureaucrat (Alea, 1966) has never received the recognition or in-depth study that it deserves, yet this is a key film that marks Cuban film's early success in addressing both local and global concerns. While remaining steadfastly Cuban, the film borrows knowingly from many sources, from Hollywood comedies to Buñuel. Crucially, it has a Brechtian note, and an eclectic use of montage is clearly informed by Eisenstein. Together, these app…
Juan Carlos Onetti, Manuel Puig and Luisa Valenzuela
Onetti, Puig and Valenzuela have not had the same level of international acclaim as Borges, Garcia Marquez or Vargas Llosa, but they are equally intellectually challenging, and their work adds much to the breadth and depth of twentieth-century Latin American literature. This book starts with Onetti's first novella, the intricate, fragmented El pozo, and finishes with Valenzuela's Cola de lagartija, a strange, quasi-baroque work of dark humour and…
No prominent works on this page.
Juan Carlos Onetti, Manuel Puig and Luisa Valenzuela
Onetti, Puig and Valenzuela have not had the same level of international acclaim as Borges, Garcia Marquez or Vargas Llosa, but they are equally intellectually challenging, and their work adds much to the breadth and depth of twentieth-century Latin American literature. This book starts with Onetti's first novella, the intricate, fragmented El pozo, and finishes with Valenzuela's Cola de lagartija, a strange, quasi-baroque work of dark humour and…
Exhuming Death of a Bureaucrat
Death of a Bureaucrat (Alea, 1966) has never received the recognition or in-depth study that it deserves, yet this is a key film that marks Cuban film's early success in addressing both local and global concerns. While remaining steadfastly Cuban, the film borrows knowingly from many sources, from Hollywood comedies to Buñuel. Crucially, it has a Brechtian note, and an eclectic use of montage is clearly informed by Eisenstein. Together, these app…
Art (2 works) · Aesthetics (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Comparative Literary Analysis and Criticism (1 work) · Computer Science (1 work) · Computer security (1 work) · Cuban History and Society (1 work) · Filmmaking (1 work) · History (1 work)