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Exhuming Death of a Bureaucrat

Bibliographic Data

ID3200873
AuthorsLinda Craig (University of East London, corresponding author)
Year2008
Volume27
Issue4
Pages519-533
Publication date2008-10-01
Open AccessYes
TypeARTICLE
VenueBulletin of Latin American Research (JOURNAL)
Journal identifiersISSN: 0261-3050 • E-ISSN: 1470-9856
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1470-9856.2008.00283.x
OpenAlexW2072376922
LanguageEN
Citations received3
References cited4

Death of a Bureaucrat (Alea, 1966) has never received the recognition or in-depth study that it deserves, yet this is a key film that marks Cuban film's early success in addressing both local and global concerns. While remaining steadfastly Cuban, the film borrows knowingly from many sources, from Hollywood comedies to Buñuel. Crucially, it has a Brechtian note, and an eclectic use of montage is clearly informed by Eisenstein. Together, these approaches lead to an inventive, imaginative work. The film heralds a radical style of filmmaking that emerged precisely from Cuba's revolutionary political culture

Aesthetics · Art · Art history · Computer security · Filmmaking · Hollywood · Key (lock · Literature · Movie theater · Political science · Politics · Sociology · Style (visual arts · Cinema and Media Studies · Computer Science · Cuban History and Society · History · Law · Walter Benjamin Studies Compilation

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Citations per year0.5
Citation span2020 - 2021 (2)
Highly citedNo

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