Patricia G Berman
Biographic Data
| ID | 419561 |
|---|---|
| NAME | Patricia G Berman |
| GIVEN NAMES | Patricia G |
| FAMILY NAME | Berman |
| SIGNATURE | BERMAN P G |
| AFFILIATIONS | Wellesley College |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Accidental Canon
This case study in decanonization examines the making of the exhibition Northern Light: Realism and Symbolism in Scandinavian Painting, 1880–1910 (US and Sweden, 1982–1983). The exhibition became established in the Anglophone world, and internationally, as a framework for understanding Nordic art. It has become a canon that has shaped – and continues to effect – academic and museum practice. The article examines the institutional apparatus and th…
"Patricia G. Berman. Review of "A Forest of Symbols
Norway, Kingdom of
Frie Udstilling
Skagen
F. Holland day and his ‘Classical’ models
Fred Holland Day's photographs of c1assicized nude or seminude male models, which comprise the majority of his production after 1905, are among his best-known images. They are also among his most important, as Allen Ellenz-weig suggests, Day's preoccupatiOn with a classical ideal of male beauty was fundamental to his process of validating photography as an art, Just as it was the veil through which he mediated his crotic desire.1 Day's rcpresenta…
No prominent works on this page.
F. Holland day and his ‘Classical’ models
Fred Holland Day's photographs of c1assicized nude or seminude male models, which comprise the majority of his production after 1905, are among his best-known images. They are also among his most important, as Allen Ellenz-weig suggests, Day's preoccupatiOn with a classical ideal of male beauty was fundamental to his process of validating photography as an art, Just as it was the veil through which he mediated his crotic desire.1 Day's rcpresenta…
Norway, Kingdom of
Frie Udstilling
Skagen
"Patricia G. Berman. Review of "A Forest of Symbols
Accidental Canon
This case study in decanonization examines the making of the exhibition Northern Light: Realism and Symbolism in Scandinavian Painting, 1880–1910 (US and Sweden, 1982–1983). The exhibition became established in the Anglophone world, and internationally, as a framework for understanding Nordic art. It has become a canon that has shaped – and continues to effect – academic and museum practice. The article examines the institutional apparatus and th…
Art (3 works) · Art history (2 works) · Computer Science (2 works) · Philosophy (2 works) · Politics (2 works) · Accidental (1 work) · Aesthetics (1 work) · Anachronism (1 work) · Art, Politics, and Modernism (1 work) · Beauty (1 work)