Pauline Chasseray-Peraldi
Biographic Data
| ID | 4196325 |
|---|---|
| NAME | Pauline Chasseray-Peraldi |
| GIVEN NAMES | Pauline |
| FAMILY NAME | Chasseray-Peraldi |
| SIGNATURE | CHASSERAY-PERALDI P |
| AFFILIATIONS | Sorbonne Université |
| ORCID | 0000-0001-7877-3204 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 49 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
A mineral listening
Composed between 2020 and 2022 by Guillaume Malaret, Érodé is a musical piece created from field recordings at Eagles Nest, a tidal island in Australia's Bunurong National Marine Park. Based on an interview with Guillaume Malaret, this article addresses several issues concerning digital representations, renderings, and ecologies of geological, hydrological, and sonic spaces, as well as the cultural geographies of landscape, embodiment, and affect…
Glitches in the technonatural present
Ecological collapse and the proliferation of digitally mediated relations are two conjoined elements of the ‘technonatural present’, which pose varied challenges and openings for the future of geographical thought and praxis beyond the delineated sub-disciplinary concerns of more-than-human and digital geographies. In this commentary, we draw attention to the inseparability, now and into the future, of geographical thought and praxis from digital…
Digital ecologies
Digital technologies increasingly mediate relations between humans and nonhumans in a range of contexts including environmental governance, surveillance, and entertainment. Combining approaches from more-than-human and digital geographies, we proffer ‘digital ecologies’ as an analytical framework for examining digitally-mediated human–nonhuman entanglement. We identify entanglement as a compelling basis from which to articulate and critique digit…
Something that Disturbs
Images of encounters between animals and drones or Google Street View cars are quite viral on the web. This article focuses on the different regimes of animacy and conflicts of affects in these images using an anthropo- semiotic approach. It investigates how other- ness reveals something that exceeds us, from the materiality of the machine to systems of values. It suggests that the disturbance of ani- mal presence in contemporary digital images h…
Digital ecologies
Digital technologies increasingly mediate relations between humans and nonhumans in a range of contexts including environmental governance, surveillance, and entertainment. Combining approaches from more-than-human and digital geographies, we proffer ‘digital ecologies’ as an analytical framework for examining digitally-mediated human–nonhuman entanglement. We identify entanglement as a compelling basis from which to articulate and critique digit…
Glitches in the technonatural present
Ecological collapse and the proliferation of digitally mediated relations are two conjoined elements of the ‘technonatural present’, which pose varied challenges and openings for the future of geographical thought and praxis beyond the delineated sub-disciplinary concerns of more-than-human and digital geographies. In this commentary, we draw attention to the inseparability, now and into the future, of geographical thought and praxis from digital…
A mineral listening
Composed between 2020 and 2022 by Guillaume Malaret, Érodé is a musical piece created from field recordings at Eagles Nest, a tidal island in Australia's Bunurong National Marine Park. Based on an interview with Guillaume Malaret, this article addresses several issues concerning digital representations, renderings, and ecologies of geological, hydrological, and sonic spaces, as well as the cultural geographies of landscape, embodiment, and affect…
Something that Disturbs
Images of encounters between animals and drones or Google Street View cars are quite viral on the web. This article focuses on the different regimes of animacy and conflicts of affects in these images using an anthropo- semiotic approach. It investigates how other- ness reveals something that exceeds us, from the materiality of the machine to systems of values. It suggests that the disturbance of ani- mal presence in contemporary digital images h…
Digital ecologies
Digital technologies increasingly mediate relations between humans and nonhumans in a range of contexts including environmental governance, surveillance, and entertainment. Combining approaches from more-than-human and digital geographies, we proffer ‘digital ecologies’ as an analytical framework for examining digitally-mediated human–nonhuman entanglement. We identify entanglement as a compelling basis from which to articulate and critique digit…
Glitches in the technonatural present
Ecological collapse and the proliferation of digitally mediated relations are two conjoined elements of the ‘technonatural present’, which pose varied challenges and openings for the future of geographical thought and praxis beyond the delineated sub-disciplinary concerns of more-than-human and digital geographies. In this commentary, we draw attention to the inseparability, now and into the future, of geographical thought and praxis from digital…
A mineral listening
Composed between 2020 and 2022 by Guillaume Malaret, Érodé is a musical piece created from field recordings at Eagles Nest, a tidal island in Australia's Bunurong National Marine Park. Based on an interview with Guillaume Malaret, this article addresses several issues concerning digital representations, renderings, and ecologies of geological, hydrological, and sonic spaces, as well as the cultural geographies of landscape, embodiment, and affect…
Computer Science (4 works) · Sociology (4 works) · Geographies of human-animal interactions (3 works) · Aesthetics (2 works) · Art (2 works) · Cognitive psychology (2 works) · Communication (2 works) · Corporate governance (2 works) · Environmental ethics (2 works) · Epistemology (2 works)