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A mineral listening

Digital Soundscapes of Geological Time

Bibliographic Data

ID2406713
AuthorsPauline Chasseray-Peraldi (0000-0001-7877-3204, University of Liège, corresponding author), Guillaume Malaret (Field recordist, composer, France)
Year2024
Volume31
Issue4
Pages545-552
Publication date2024-10-01
Open AccessYes
TypeARTICLE
VenueCultural Geographies (JOURNAL)
Journal identifiersISSN: 1474-4740 • E-ISSN: 1477-0881
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/14744740231203711
OpenAlexW4387640070
LanguageEN
Citations received1

Composed between 2020 and 2022 by Guillaume Malaret, Érodé is a musical piece created from field recordings at Eagles Nest, a tidal island in Australia's Bunurong National Marine Park. Based on an interview with Guillaume Malaret, this article addresses several issues concerning digital representations, renderings, and ecologies of geological, hydrological, and sonic spaces, as well as the cultural geographies of landscape, embodiment, and affect. We explore the potentials of sonic composition and geophonic recordings for mediating bodily connections with difficult-to-imagine processes, such as environmental change over deep time. Our dialogue throughout this article contributes to emerging themes in digital ecological research by focusing on the materialities of digitization, digitally mediated creative practices in sonic geography, and the importance of different affective registers for comprehending environmental transformation

Active listening · Aesthetics · Archaeology · Art · Assemblage (archaeology · Digitization · Field (mathematics · Geography · Musical · Sociology · Sound (geography · Sound art · Soundscape · Visual arts · Communication · Computer Science · History · Marine animal studies overview · Underwater Acoustics Research · Geology · Oceanography

  • Digital ecologies in practice

    Open Access•Oscar Hartman Davies, J Turnbull et al.•Cultural Geographies•2024

Citations per year0.5
Citation span2024 - 2024 (1)
Highly citedNo

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