Anna Krawczyk-Łaskarzewska
Biographic Data
| ID | 4206542 |
|---|---|
| NAME | Anna Krawczyk-Łaskarzewska |
| GIVEN NAMES | Anna |
| FAMILY NAME | Krawczyk-Łaskarzewska |
| SIGNATURE | KRAWCZYK-ŁASKARZEWSKA A |
| AFFILIATIONS | University of Warmia and Mazury in Olsztyn |
| ORCID | 0000-0001-8355-8218 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
See My Heart”
Works of art seem to be used more and more frequently in scripted TV shows nowadays. Most often, they constitute a symbolic point of reference, an intertextual “interlude,” or merely a convenient plot device. However, Bryan Fuller’s 2013 TV series Hannibal goes beyond the stereotypical functions of art, using it as a sort of intermediary between literary and televisual fantasies and elevating its narrative status. It can even be argued that works…
Space Over Time
In Gibson’s fiction, to see our souls, look at our cities. Lisa Zeidner 1. Introduction This article will examine ways in which big cities are envisioned in William Gibson’s three techno-thriller/speculative noir novels: Pattern Recognition (2003), Spook Country (2007)and Zero History (2010), frequently referred to as Blue Ant trilogy, after the name of the fictional advertising agency whose founder, Hubertus Bigend, plays a pivotal role in the b…
No prominent works on this page.
Space Over Time
In Gibson’s fiction, to see our souls, look at our cities. Lisa Zeidner 1. Introduction This article will examine ways in which big cities are envisioned in William Gibson’s three techno-thriller/speculative noir novels: Pattern Recognition (2003), Spook Country (2007)and Zero History (2010), frequently referred to as Blue Ant trilogy, after the name of the fictional advertising agency whose founder, Hubertus Bigend, plays a pivotal role in the b…
See My Heart”
Works of art seem to be used more and more frequently in scripted TV shows nowadays. Most often, they constitute a symbolic point of reference, an intertextual “interlude,” or merely a convenient plot device. However, Bryan Fuller’s 2013 TV series Hannibal goes beyond the stereotypical functions of art, using it as a sort of intermediary between literary and televisual fantasies and elevating its narrative status. It can even be argued that works…
Art (2 works) · Art history (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Alchemy (1 work) · Character (mathematics (1 work)