Space Over Time
The Urban Space in William Gibson’s Techno-thriller Novels
Bibliographic Data
| ID | 6188421 |
|---|---|
| Authors | Anna Krawczyk-Łaskarzewska (0000-0001-8355-8218, University of Warmia and Mazury in Olsztyn, corresponding author) |
| Year | 2015 |
| Volume | 10 |
| Issue | 3 |
| Publication date | 2015-12-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | European Journal of American Studies (JOURNAL) |
| Journal identifiers | ISSN: 1991-9336 • E-ISSN: 1991-9336 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/ejas.11373 |
| OpenAlex | W2340392511 |
| Language | EN |
| References cited | 8 |
In Gibson’s fiction, to see our souls, look at our cities. Lisa Zeidner 1. Introduction This article will examine ways in which big cities are envisioned in William Gibson’s three techno-thriller/speculative noir novels: Pattern Recognition (2003), Spook Country (2007)and Zero History (2010), frequently referred to as Blue Ant trilogy, after the name of the fictional advertising agency whose founder, Hubertus Bigend, plays a pivotal role in the books. More specifically, the functions of the u
Art · Art history · Linguistics · Literature · Digital Economy and Work Transformation · Digital Games and Media · History · Philosophy · Utopian, Dystopian, and Speculative Fiction
| Highly cited | No |
|---|