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Shonagh Hill

Biographic Data

ID4207703
NAMEShonagh Hill
GIVEN NAMESShonagh
FAMILY NAMEHill
SIGNATUREHILL S
AFFILIATIONSQueen's University Belfast
ORCID0000-0003-4753-9065
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland

    Open Access•Shonagh Hill•ARTICLE•Performance Research•2023

    ‘Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland’ by Dr Shonagh Hill examines a practice-as-research project that offered participants the opportunity to explore their experiences of gender and generation through a somatic movement workshop. Hill developed the workshop with Nicola Curry, the artistic director of Maiden Voyage Dance NI. Restrictive gender norms and violent conflict in Northern Ireland have cultivated …

  • ‘Circles of Women’

    Open Access•Shonagh Hill•ARTICLE•Theatre Research International•2023

    The focus of this article is the range of feminisms which circulate through Belfast-based Oona Doherty's choreographies for groups of women, namely the second episode of Hard to Be Soft: A Belfast Prayer (2017), which is titled ‘Sugar Army', and Lady Magma: The Birth of a Cult (2019). This analysis is motivated by the need to expand discussion of feminisms in tandem with examination of more complex identities in Northern Ireland: to look beyond a…

  • Special Issue on Repealing the 8th

    Open Access•Shonagh Hill, Sarah Hoover et al.•ARTICLE•Feminist Encounters A Journal of…•2022

    The State acknowledges the right to life of the unborn and, with due regard to the equal right to life of the mother, guarantees in its laws to respect, and, as far as practicable, by its laws

  • Not At Home

    Open Access•Shonagh Hill•ARTICLE•Feminist Encounters A Journal of…•2022

    This article analyses the durational art campaign, Not At Home, through the lens of affect theory in order to explore how performance moves us: physically and emotionally; individually, but also socially and collectively. First performed in 2017, Not At Home, created by Grace Dyas (THEATREclub) and Emma Fraser (Nine Crows) focuses on the journey to Britain from Ireland undertaken by abortion-seeking women. Following a referendum in 1992, the righ…

No prominent works on this page.

  • Special Issue on Repealing the 8th

    Open Access•Shonagh Hill, Sarah Hoover et al.•ARTICLE•Feminist Encounters A Journal of…•2022

    The State acknowledges the right to life of the unborn and, with due regard to the equal right to life of the mother, guarantees in its laws to respect, and, as far as practicable, by its laws

  • Not At Home

    Open Access•Shonagh Hill•ARTICLE•Feminist Encounters A Journal of…•2022

    This article analyses the durational art campaign, Not At Home, through the lens of affect theory in order to explore how performance moves us: physically and emotionally; individually, but also socially and collectively. First performed in 2017, Not At Home, created by Grace Dyas (THEATREclub) and Emma Fraser (Nine Crows) focuses on the journey to Britain from Ireland undertaken by abortion-seeking women. Following a referendum in 1992, the righ…

  • Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland

    Open Access•Shonagh Hill•ARTICLE•Performance Research•2023

    ‘Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland’ by Dr Shonagh Hill examines a practice-as-research project that offered participants the opportunity to explore their experiences of gender and generation through a somatic movement workshop. Hill developed the workshop with Nicola Curry, the artistic director of Maiden Voyage Dance NI. Restrictive gender norms and violent conflict in Northern Ireland have cultivated …

  • ‘Circles of Women’

    Open Access•Shonagh Hill•ARTICLE•Theatre Research International•2023

    The focus of this article is the range of feminisms which circulate through Belfast-based Oona Doherty's choreographies for groups of women, namely the second episode of Hard to Be Soft: A Belfast Prayer (2017), which is titled ‘Sugar Army', and Lady Magma: The Birth of a Cult (2019). This analysis is motivated by the need to expand discussion of feminisms in tandem with examination of more complex identities in Northern Ireland: to look beyond a…

Gender Studies (4 works) · Sociology (4 works) · Irish and British Studies (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Theatre and Performance Studies (3 works) · Art (2 works) · Irish (2 works) · Philosophy (2 works)

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