Debanjana Nayek
Biographic Data
| ID | 4207827 |
|---|---|
| NAME | Debanjana Nayek |
| GIVEN NAMES | Debanjana |
| FAMILY NAME | Nayek |
| SIGNATURE | NAYEK D |
| AFFILIATIONS | Presidency University |
| ORCID | 0000-0001-8106-234X |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Subverting the dominant structure through graphic narratives
The visual storytelling culture of India is eclectic, multifaceted, and ever-growing. It is marked by the country’s multilingualism, the religious as well as cultural diversities and its politics. From the origination of an Indian comic book series to the contemporary age of digital graphic narratives and webcomics, there has always been a strong socio-political dimension to this storytelling tradition. This paper traces the nation’s long history…
From Shakuntala to Sanitary Panels
The journey of graphic narratives in India began in 1967 with the publication of the first issue of Amar Chitra Katha (ACK) comics, with protagonists based on the mythological tales. These comic books glorified Indian heritage, making every mythological and historical story of India amar or immortal and claimed to present a complete picture of the culture and essence of India. However, these comics reinforced gender prejudice and conventional gen…
No prominent works on this page.
From Shakuntala to Sanitary Panels
The journey of graphic narratives in India began in 1967 with the publication of the first issue of Amar Chitra Katha (ACK) comics, with protagonists based on the mythological tales. These comic books glorified Indian heritage, making every mythological and historical story of India amar or immortal and claimed to present a complete picture of the culture and essence of India. However, these comics reinforced gender prejudice and conventional gen…
Subverting the dominant structure through graphic narratives
The visual storytelling culture of India is eclectic, multifaceted, and ever-growing. It is marked by the country’s multilingualism, the religious as well as cultural diversities and its politics. From the origination of an Indian comic book series to the contemporary age of digital graphic narratives and webcomics, there has always been a strong socio-political dimension to this storytelling tradition. This paper traces the nation’s long history…
Art (2 works) · Comics (2 works) · Comics and Graphic Narratives (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Narrative (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works)