Xiaoling Yao
Biographic Data
| ID | 4237563 |
|---|---|
| NAME | Xiaoling Yao |
| GIVEN NAMES | Xiaoling |
| FAMILY NAME | Yao |
| SIGNATURE | YAO X |
| AFFILIATIONS | East China Normal University |
| ORCID | 0000-0002-8529-0013 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Mapping identity and place in Yongping Li's The End of the River
This article offers to postcolonial literary studies a case study of Borneo grappling with its colonial legacy and cultural identity by exploring the dynamic interplay between place and identity in Yongping Li's two-volume novel, Da He Jin Tou (The End of the River). Using a theoretical framework rooted in postcolonial geo-humanities, including the concept of place in postcolonialism, Yi-Fu Tuan's notion of "topophilia", and Robert Tally's litera…
Willing to Remember Jim”
The night before Marlow leaves Patusan, he, for the last time, looks at the “lost, forgotten, unknown places of the earth,” and confesses to his audience: “when to-morrow I had left it for ever, it
Culturally-mediated Perceptions
In this paper, I shift critical attention from a focus on the colonialists’ overt rapacious practices to a more fundamental question of how the Other is framed and perceived in the eyes of the colonialists in Heart of Darkness. I argue that the text allows Marlow to transcend the limits of his culturally-determined perception and perceive the uniqueness of the Other in his confrontation with the unknown; as such, it resists the inculcated exclusi…
Affect and narrative rhythm in Heart of darkness
Matt Kish’s Illustration
This paper is to conduct a cross-medium study by introducing a newly published illustrated Heart of Darkness . I argue that the reciprocal cross-medium fertilization between Matt Kish’s visualized project and Conrad’s verbal story proffers an alternative nuanced way to investigate Conrad’s stance in the colonial exploitation. In Matt Kish’s illustrations, Conrad concedes that there exist differences between the blacks and the whites in physicalit…
No prominent works on this page.
Matt Kish’s Illustration
This paper is to conduct a cross-medium study by introducing a newly published illustrated Heart of Darkness . I argue that the reciprocal cross-medium fertilization between Matt Kish’s visualized project and Conrad’s verbal story proffers an alternative nuanced way to investigate Conrad’s stance in the colonial exploitation. In Matt Kish’s illustrations, Conrad concedes that there exist differences between the blacks and the whites in physicalit…
Affect and narrative rhythm in Heart of darkness
Culturally-mediated Perceptions
In this paper, I shift critical attention from a focus on the colonialists’ overt rapacious practices to a more fundamental question of how the Other is framed and perceived in the eyes of the colonialists in Heart of Darkness. I argue that the text allows Marlow to transcend the limits of his culturally-determined perception and perceive the uniqueness of the Other in his confrontation with the unknown; as such, it resists the inculcated exclusi…
Willing to Remember Jim”
The night before Marlow leaves Patusan, he, for the last time, looks at the “lost, forgotten, unknown places of the earth,” and confesses to his audience: “when to-morrow I had left it for ever, it
Mapping identity and place in Yongping Li's The End of the River
This article offers to postcolonial literary studies a case study of Borneo grappling with its colonial legacy and cultural identity by exploring the dynamic interplay between place and identity in Yongping Li's two-volume novel, Da He Jin Tou (The End of the River). Using a theoretical framework rooted in postcolonial geo-humanities, including the concept of place in postcolonialism, Yi-Fu Tuan's notion of "topophilia", and Robert Tally's litera…
Art (5 works) · Literature (4 works) · Sociology (4 works) · Aesthetics (3 works) · History (3 works) · Joseph Conrad and Literature (3 works) · Linguistics (3 works) · Narrative (3 works) · Colonialism (2 works) · History (2 works)