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Mapping identity and place in Yongping Li's The End of the River

Bibliographic Data

ID2179725
AuthorsXiaoling Yao (0000-0002-8529-0013)
Year2024
Volume60
Issue2
Pages260-273
Publication date2024-03-03
Open AccessNo
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2023.2283516
OpenAlexW4389975851
LanguageEN
References cited10

This article offers to postcolonial literary studies a case study of Borneo grappling with its colonial legacy and cultural identity by exploring the dynamic interplay between place and identity in Yongping Li's two-volume novel, Da He Jin Tou (The End of the River). Using a theoretical framework rooted in postcolonial geo-humanities, including the concept of place in postcolonialism, Yi-Fu Tuan's notion of "topophilia", and Robert Tally's literary cartography, the article argues that Li's mapping of Borneo as a dynamic interactive space offers entry into a process of affective identification that transcends national borders and ethnicity. To achieve this, the article first contextualizes Li's Borneo writing within a postcolonial spatial framework, and then proceeds to analyse the novel, highlighting a meeting between Tuan's humanistic geography as related to place and affective bond, and Tally's literary mapping of spatiality to demonstrate Li's identification with the textured and affectively charged Borneo

Aesthetics · Art · Cover (algebra · Cover story · Geography · Identity (music · Asian American and Pacific Histories · Asian Culture and Media Studies · Engineering · Japanese History and Culture · Geology · Oceanography

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Highly citedNo

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