Zlatina Nikolova
Biographic Data
| ID | 4246050 |
|---|---|
| NAME | Zlatina Nikolova |
| GIVEN NAMES | Zlatina |
| FAMILY NAME | Nikolova |
| SIGNATURE | NIKOLOVA Z |
| AFFILIATIONS | University of Exeter |
| ORCID | 0009-0000-2620-6291 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Midwifery as an Occupation and Identity in Jennifer Worth’s Call the Midwife
An autobiographical account of Jennifer Worth’s life as a midwife in the East End of the 1950s, Call the Midwife (2002), explores a world populated largely by women. Worth’s stories of motherhood’s anxiety, pain, joy, and occasionally unspeakable grief are underscored by descriptions of the tools and surgical procedures performed by the dedicated midwives of Nonnatus House. This essay reflects on the construction of the figure of the midwife thro…
Every second counts
Set in Chicago, the Emmy award-winning series The Bear (2022–present) overlays its diegetic world over the city’s architecture, charting its urban geography across a fictional map of sites and culinary spots, imbued with personal histories and narrative significance. As the series intersects the city’s real locations with its fiction, it creates a network of places and non-places that affect individual characters’ narratives and embody their memo…
Binary Modernisms
Seeking out new approaches to modernist studies, ‘Binary Modernisms’ adopts the digital, both its approaches and its products, for the critical investigation of Modernism. The following introduction briefly touches on the cultural and historical circumstances of both Modernism and the digital and identifies their parallel impact on art and our engagement with it
Every second counts
Set in Chicago, the Emmy award-winning series The Bear (2022–present) overlays its diegetic world over the city’s architecture, charting its urban geography across a fictional map of sites and culinary spots, imbued with personal histories and narrative significance. As the series intersects the city’s real locations with its fiction, it creates a network of places and non-places that affect individual characters’ narratives and embody their memo…
Binary Modernisms
Seeking out new approaches to modernist studies, ‘Binary Modernisms’ adopts the digital, both its approaches and its products, for the critical investigation of Modernism. The following introduction briefly touches on the cultural and historical circumstances of both Modernism and the digital and identifies their parallel impact on art and our engagement with it
Midwifery as an Occupation and Identity in Jennifer Worth’s Call the Midwife
An autobiographical account of Jennifer Worth’s life as a midwife in the East End of the 1950s, Call the Midwife (2002), explores a world populated largely by women. Worth’s stories of motherhood’s anxiety, pain, joy, and occasionally unspeakable grief are underscored by descriptions of the tools and surgical procedures performed by the dedicated midwives of Nonnatus House. This essay reflects on the construction of the figure of the midwife thro…
Every second counts
Set in Chicago, the Emmy award-winning series The Bear (2022–present) overlays its diegetic world over the city’s architecture, charting its urban geography across a fictional map of sites and culinary spots, imbued with personal histories and narrative significance. As the series intersects the city’s real locations with its fiction, it creates a network of places and non-places that affect individual characters’ narratives and embody their memo…
Aesthetics (2 works) · Art (2 works) · Psychology (2 works) · American and British Literature Analysis (1 work) · Anxiety (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Autobiographical and Biographical Writing (1 work) · Cinema and Media Studies (1 work) · Communication (1 work)