Binary Modernisms
An Introduction
Bibliographic Data
| ID | 18948823 |
|---|---|
| Authors | Zlatina Nikolova (0009-0000-2620-6291, University of Exeter, corresponding author) |
| Year | 2022 |
| Volume | 8 |
| Issue | 1 |
| Publication date | 2022-06-21 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Open Library of Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2056-6700 • E-ISSN: 2056-6700 |
| Publisher | Open Library of the Humanities (PUBLISHER) |
| DOI | 10.16995/olh.8917 |
| OpenAlex | W4225120437 |
| Language | EN |
| References cited | 16 |
Seeking out new approaches to modernist studies, ‘Binary Modernisms’ adopts the digital, both its approaches and its products, for the critical investigation of Modernism. The following introduction briefly touches on the cultural and historical circumstances of both Modernism and the digital and identifies their parallel impact on art and our engagement with it
Aesthetics · Art · Art history · Visual arts · Art, Politics, and Modernism · Poetry Analysis and Criticism · Visual Culture and Art Theory
Enfolding the Hand, Entrancing the Eye
Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"
From Print to Digital
The Geographies of Poverty
Brandon is a Network Not a Name
'Grasp All, Lose All'
Ringl + Pit
Writing disenchantment
The Language of New Media
Introduction
The Tenth Muse
Women Editing Modernism
Women and the First World War
Modernist Intermediality
| Citation velocity | historical |
|---|---|
| Highly cited | No |