Massimo Repetti
Biographic Data
| ID | 4272008 |
|---|---|
| NAME | Massimo Repetti |
| GIVEN NAMES | Massimo |
| FAMILY NAME | Repetti |
| SIGNATURE | REPETTI M |
| AFFILIATIONS | African Union |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 1 |
African Wave
16 | african arts suMMer 2007 While most people consider painting, novels, and film to be universal formats of artistic expression, for the combination of graphic image and narrative they commonly use expressions tied to geography, like “Japanese manga,” “American comics,” “French-Belgian BD”—and now “African comics.” Yet “African comics” as a homogenous entity probably does not exist. It is perhaps more accurate to speak of “comics from Africa,”…
Token Salaries and Social Answers in Work Relations in Africa
In Dakar, faced with crisis and uncertainty, social answers begin to appear. Only those having a supportive social network could find a place in the labour's market. The observation of the daily routine of any of Dakarís micro-businesses and its social aspects, reveals the wide area of interference that exists between waged worker and the relation networks with family and relatives, ethnic groups and Muslim brotherhoods. The urban economy is supp…
African Wave
16 | african arts suMMer 2007 While most people consider painting, novels, and film to be universal formats of artistic expression, for the combination of graphic image and narrative they commonly use expressions tied to geography, like “Japanese manga,” “American comics,” “French-Belgian BD”—and now “African comics.” Yet “African comics” as a homogenous entity probably does not exist. It is perhaps more accurate to speak of “comics from Africa,”…
Token Salaries and Social Answers in Work Relations in Africa
In Dakar, faced with crisis and uncertainty, social answers begin to appear. Only those having a supportive social network could find a place in the labour's market. The observation of the daily routine of any of Dakarís micro-businesses and its social aspects, reveals the wide area of interference that exists between waged worker and the relation networks with family and relatives, ethnic groups and Muslim brotherhoods. The urban economy is supp…
African Wave
16 | african arts suMMer 2007 While most people consider painting, novels, and film to be universal formats of artistic expression, for the combination of graphic image and narrative they commonly use expressions tied to geography, like “Japanese manga,” “American comics,” “French-Belgian BD”—and now “African comics.” Yet “African comics” as a homogenous entity probably does not exist. It is perhaps more accurate to speak of “comics from Africa,”…
Political science (2 works) · African history and culture studies (1 works) · Alliance (1 works) · Art (1 works) · Business (1 works) · Comics (1 works) · Comics and Graphic Narratives (1 works) · Cosmopolitanism (1 works) · Digital Economy and Work Transformation (1 works) · Economics (1 works)