Sophie Müller
Biographic Data
| ID | 4297416 |
|---|---|
| NAME | Sophie Müller |
| GIVEN NAMES | Sophie |
| FAMILY NAME | Müller |
| SIGNATURE | MÜLLER S |
| AFFILIATIONS | University of Tübingen |
| ORCID | 0009-0005-7923-1489 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
Body Boundary Work
In everyday life, we usually go by the one - body - one - person rule : one person has one body (and vice versa). This social belief builds on two assumptions: bodies are individual units and they (and ‘their’ person) are the same in different situations. This is also the conceptual resource for social theories that build on the notion of individuals. In this article, we turn it into a sociological topic. We develop a vocabulary for reconstructin…
Distributed corporeality
Various specialist cultures configure bodies as complex technological devices. We know little about how exactly this is done. I focus on one of these cultures, classical ballet, to praxeologically reconstruct the conceptual, situational and material configuration of bodies as particular instruments. The technologization of the body is closely intertwined with the scientification of the practice - its ladenness with scientific knowledge about the …
Beyond the Body’s Skin. Describing the Embodiment of Practices
Körperliche Un-Fertigkeiten
Übung macht bekanntlich den Meister. Was aber, wenn ein Tun als zu perfektionierende Kunst aufgebaut wird, so dass das Üben nie in ein definitives Können mündet? Wenn dieselbe Pirouette, so glänzend sie auf der Bühne erscheint, im Training doch immer unvollkommen bleibt? Diese Ethnografie erkundet das Üben als einen grundlegenden Aspekt aller menschlicher Praxis am Fall des klassischen Balletts, wo es sozial ausdifferenziert, dramatisiert und als…
Becoming the Phenomenon? An Alternative Approach to Reflexivity in Ethnography
This article presents a praxeologically informed approach to "transgressing the researcher-subject" in ethnography. I unfurl a concept of "strong" reflexivity as developing a perspective of unfamiliarity toward one's own practices and beliefs. By drawing on my study on practicing ballet, I illustrate how I dealt with my own bodily involvement as a professional dance student. Comparing my approach with evocative autoethnography, I not only emphasi…
Higher education and the transition to work
Becoming the Phenomenon? An Alternative Approach to Reflexivity in Ethnography
This article presents a praxeologically informed approach to "transgressing the researcher-subject" in ethnography. I unfurl a concept of "strong" reflexivity as developing a perspective of unfamiliarity toward one's own practices and beliefs. By drawing on my study on practicing ballet, I illustrate how I dealt with my own bodily involvement as a professional dance student. Comparing my approach with evocative autoethnography, I not only emphasi…
Distributed corporeality
Various specialist cultures configure bodies as complex technological devices. We know little about how exactly this is done. I focus on one of these cultures, classical ballet, to praxeologically reconstruct the conceptual, situational and material configuration of bodies as particular instruments. The technologization of the body is closely intertwined with the scientification of the practice - its ladenness with scientific knowledge about the …
Body Boundary Work
In everyday life, we usually go by the one - body - one - person rule : one person has one body (and vice versa). This social belief builds on two assumptions: bodies are individual units and they (and ‘their’ person) are the same in different situations. This is also the conceptual resource for social theories that build on the notion of individuals. In this article, we turn it into a sociological topic. We develop a vocabulary for reconstructin…
Higher education and the transition to work
Körperliche Un-Fertigkeiten
Übung macht bekanntlich den Meister. Was aber, wenn ein Tun als zu perfektionierende Kunst aufgebaut wird, so dass das Üben nie in ein definitives Können mündet? Wenn dieselbe Pirouette, so glänzend sie auf der Bühne erscheint, im Training doch immer unvollkommen bleibt? Diese Ethnografie erkundet das Üben als einen grundlegenden Aspekt aller menschlicher Praxis am Fall des klassischen Balletts, wo es sozial ausdifferenziert, dramatisiert und als…
Becoming the Phenomenon? An Alternative Approach to Reflexivity in Ethnography
This article presents a praxeologically informed approach to "transgressing the researcher-subject" in ethnography. I unfurl a concept of "strong" reflexivity as developing a perspective of unfamiliarity toward one's own practices and beliefs. By drawing on my study on practicing ballet, I illustrate how I dealt with my own bodily involvement as a professional dance student. Comparing my approach with evocative autoethnography, I not only emphasi…
Beyond the Body’s Skin. Describing the Embodiment of Practices
Distributed corporeality
Various specialist cultures configure bodies as complex technological devices. We know little about how exactly this is done. I focus on one of these cultures, classical ballet, to praxeologically reconstruct the conceptual, situational and material configuration of bodies as particular instruments. The technologization of the body is closely intertwined with the scientification of the practice - its ladenness with scientific knowledge about the …
Body Boundary Work
In everyday life, we usually go by the one - body - one - person rule : one person has one body (and vice versa). This social belief builds on two assumptions: bodies are individual units and they (and ‘their’ person) are the same in different situations. This is also the conceptual resource for social theories that build on the notion of individuals. In this article, we turn it into a sociological topic. We develop a vocabulary for reconstructin…
Philosophy (5 works) · Sociology (5 works) · Art (4 works) · Epistemology (4 works) · Computer Science (3 works) · Philosophy (3 works) · Psychology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Anthropology (2 works)