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Daniel Makagon

Biographic Data

ID4307662
NAMEDaniel Makagon
GIVEN NAMESDaniel
FAMILY NAMEMakagon
SIGNATUREMAKAGON D
AFFILIATIONSMoscow State University of Technologies and Management named after K.G. Razumovskiy
ORCID0000-0003-1347-2819
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS19
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Råpunk

    Daniel Makagon•ARTICLE•Punk & Post Punk•2024

    Review of: RÅPUNK: The Birth of Swedish Hardcore, 1981-1989 , David Andersson (2023) London: No Good, 322 pp., ISBN 978-1-73943-710-7, p/bk, £35.00

  • I Want You Around

    Daniel Makagon•ARTICLE•Punk & Post Punk•2023

    Review of: I Want You Around: The Ramones and the Making of Rock ’N’ Roll High School , Stephen B. Armstrong (2023) London: Backbeat Books, 394 pp., ISBN 978-1-49306-449-6, p/bk, $22.95

  • Booking your own life

    Open Access•Daniel Makagon•ARTICLE•Punk & Post Punk•2020

    The do-it-yourself (DIY) touring circuit changed dramatically in the United States during the late 1980s and early 1990s when more punk bands that had local reputations began to tour beyond their regional bases. This article analyses some important reasons why touring routes expanded, correcting some misconceptions about the types of bands that were touring nationally. I pay special attention to the work of Kamala Lyn Parks, an early booker, and …

  • Planning for the unintended, unexpected and accidental

    Daniel Makagon•ARTICLE•City•2011

  • Bring on the Shock Troops

    Daniel Makagon•ARTICLE•Communication and Critical/Cultural…•2010•Cited by: 6

    Gentrification is one of the most important and talked about contemporary urban issues. Critics have tended to treat the class remake of urban neighborhoods as a geographical and sociological phenomenon. This article critically examines gentrification as symbolic action. Focusing on press coverage of artist-led gentrification, I argue that reporters present a diffusion narrative that casts artists as both urban pioneers and victims of gentrificat…

  • Recording Culture

    Daniel Makagon, Mark Neumann•BOOK•Recording culture•2009•Cited by: 11

    INTRODUCTION 1. Writing Culture and Recording Culture 2. Sonic Compositions 3. The Citizen Storyteller APPENDIX

  • Sonic Earthquakes

    Daniel Makagon•ARTICLE•Communication and Critical/Cultural…•2006•Cited by: 1

    This is an ethnographic study of youths who put elaborate sound systems in their automobiles. I argue that participants in loud car stereo culture share an aesthetic agency, using sound and mobility to construct environments (discussed in this article as mobile heterotopias) that challenge the spatial and temporal constraints of daily life. Their actions and stories speak to, and exist within, broader contemporary debates in the United States abo…

  • Introduction

    Michael LeVan, Daniel Makagon•ARTICLE•Text and Performance Quarterly•2005

    ‘‘Every sin is the result of a collaboration,’’ claimed Seneca, observing that sin is both a cultural and an intersubjective process. Seneca’s pointed formula implies both cultural performances that maintain normative order and a collusive, furtive will to resist that order. Sin is, to be sure, a rhetorical construct*/but it is also a resource. It is simultaneously social and surreptitious. Above all others, the seven deadly sins have become embl…

  • Got meat?”

    Daniel Makagon•ARTICLE•Text and Performance Quarterly•2000•References: 3

  • Accidents Should Happen

    Open Access•Daniel Makagon•ARTICLE•Journal of Communication Inquiry•2000•Cited by: 1•References: 4

    In this article, I chart the continual reemergence of social disruption and cultural critique in the twentieth century, critically examining how this history provides insight into Jenny Holzer's and Krzysztof Wodiczko's use of alternative media in their critical public art. This analysis points to the historical reemergence of a desire to comment on urban life vis-à-vis media practices in a way that allows us to reimagine alternative uses of medi…

  • Recording Culture

    Daniel Makagon, Mark Neumann•BOOK•Recording culture•2009•Cited by: 11

    INTRODUCTION 1. Writing Culture and Recording Culture 2. Sonic Compositions 3. The Citizen Storyteller APPENDIX

  • Bring on the Shock Troops

    Daniel Makagon•ARTICLE•Communication and Critical/Cultural…•2010•Cited by: 6

    Gentrification is one of the most important and talked about contemporary urban issues. Critics have tended to treat the class remake of urban neighborhoods as a geographical and sociological phenomenon. This article critically examines gentrification as symbolic action. Focusing on press coverage of artist-led gentrification, I argue that reporters present a diffusion narrative that casts artists as both urban pioneers and victims of gentrificat…

  • Sonic Earthquakes

    Daniel Makagon•ARTICLE•Communication and Critical/Cultural…•2006•Cited by: 1

    This is an ethnographic study of youths who put elaborate sound systems in their automobiles. I argue that participants in loud car stereo culture share an aesthetic agency, using sound and mobility to construct environments (discussed in this article as mobile heterotopias) that challenge the spatial and temporal constraints of daily life. Their actions and stories speak to, and exist within, broader contemporary debates in the United States abo…

  • Accidents Should Happen

    Open Access•Daniel Makagon•ARTICLE•Journal of Communication Inquiry•2000•Cited by: 1•References: 4

    In this article, I chart the continual reemergence of social disruption and cultural critique in the twentieth century, critically examining how this history provides insight into Jenny Holzer's and Krzysztof Wodiczko's use of alternative media in their critical public art. This analysis points to the historical reemergence of a desire to comment on urban life vis-à-vis media practices in a way that allows us to reimagine alternative uses of medi…

  • Got meat?”

    Daniel Makagon•ARTICLE•Text and Performance Quarterly•2000•References: 3

  • Accidents Should Happen

    Open Access•Daniel Makagon•ARTICLE•Journal of Communication Inquiry•2000•Cited by: 1•References: 4

    In this article, I chart the continual reemergence of social disruption and cultural critique in the twentieth century, critically examining how this history provides insight into Jenny Holzer's and Krzysztof Wodiczko's use of alternative media in their critical public art. This analysis points to the historical reemergence of a desire to comment on urban life vis-à-vis media practices in a way that allows us to reimagine alternative uses of medi…

  • Introduction

    Michael LeVan, Daniel Makagon•ARTICLE•Text and Performance Quarterly•2005

    ‘‘Every sin is the result of a collaboration,’’ claimed Seneca, observing that sin is both a cultural and an intersubjective process. Seneca’s pointed formula implies both cultural performances that maintain normative order and a collusive, furtive will to resist that order. Sin is, to be sure, a rhetorical construct*/but it is also a resource. It is simultaneously social and surreptitious. Above all others, the seven deadly sins have become embl…

  • Sonic Earthquakes

    Daniel Makagon•ARTICLE•Communication and Critical/Cultural…•2006•Cited by: 1

    This is an ethnographic study of youths who put elaborate sound systems in their automobiles. I argue that participants in loud car stereo culture share an aesthetic agency, using sound and mobility to construct environments (discussed in this article as mobile heterotopias) that challenge the spatial and temporal constraints of daily life. Their actions and stories speak to, and exist within, broader contemporary debates in the United States abo…

  • Recording Culture

    Daniel Makagon, Mark Neumann•BOOK•Recording culture•2009•Cited by: 11

    INTRODUCTION 1. Writing Culture and Recording Culture 2. Sonic Compositions 3. The Citizen Storyteller APPENDIX

  • Bring on the Shock Troops

    Daniel Makagon•ARTICLE•Communication and Critical/Cultural…•2010•Cited by: 6

    Gentrification is one of the most important and talked about contemporary urban issues. Critics have tended to treat the class remake of urban neighborhoods as a geographical and sociological phenomenon. This article critically examines gentrification as symbolic action. Focusing on press coverage of artist-led gentrification, I argue that reporters present a diffusion narrative that casts artists as both urban pioneers and victims of gentrificat…

  • Planning for the unintended, unexpected and accidental

    Daniel Makagon•ARTICLE•City•2011

  • Booking your own life

    Open Access•Daniel Makagon•ARTICLE•Punk & Post Punk•2020

    The do-it-yourself (DIY) touring circuit changed dramatically in the United States during the late 1980s and early 1990s when more punk bands that had local reputations began to tour beyond their regional bases. This article analyses some important reasons why touring routes expanded, correcting some misconceptions about the types of bands that were touring nationally. I pay special attention to the work of Kamala Lyn Parks, an early booker, and …

  • I Want You Around

    Daniel Makagon•ARTICLE•Punk & Post Punk•2023

    Review of: I Want You Around: The Ramones and the Making of Rock ’N’ Roll High School , Stephen B. Armstrong (2023) London: Backbeat Books, 394 pp., ISBN 978-1-49306-449-6, p/bk, $22.95

  • Råpunk

    Daniel Makagon•ARTICLE•Punk & Post Punk•2024

    Review of: RÅPUNK: The Birth of Swedish Hardcore, 1981-1989 , David Andersson (2023) London: No Good, 322 pp., ISBN 978-1-73943-710-7, p/bk, £35.00

Art (7 works) · Sociology (6 works) · History (4 works) · Aesthetics (3 works) · Anthropology (3 works) · Art history (3 works) · Business (3 works) · Computer Science (3 works) · History (3 works) · Music History and Culture (3 works)

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