Aris Setiawan

Biographic Data

ID4421747
NAMEAris Setiawan
GIVEN NAMESAris
FAMILY NAMESetiawan
SIGNATURESETIAWAN A
AFFILIATIONSInstitut Seni Indonesia Surakarta
ORCID0000-0003-2866-7061
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS0
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2026
H-INDEX0

  • Form and Structure of Music in the Tidi Lo Polopalo Dance from the Gorontalo Community

    Open AccessSri Rahayu Hidayat Miu, Aris SetiawanARTICLEGondang Jurnal Seni dan Budaya2026

    Tidi Lo Polopalo is a traditional dance performed during traditional wedding ceremonies, commonly referred to as 'Hui Mopotilandahu.' This dance symbolizes the refined character and grace of a woman, her hospitality, as well as the duties and responsibilities she will assume after marriage. This dance cannot exist without its accompanying music; in this context, music is considered essential in strengthening the identity of the dance, which serve…

  • Pembacaan Ulang Singgêtan Dalam Karawitan Jawa Gaya Surakarta

    Open AccessGaluh Argo Putro, Suyoto Suyoto et al.ARTICLEJurnal Kajian Seni2025

  • Learning Banyuwangi Traditional Music at Sanggar Jiwa Etnik Blambangan: A Model of Inheritance and Innovation

    Open AccessAris Setiawan, Zulkarnain Mistortoify et al.ARTICLEJournal of Urban Society s Arts2025

    This study examines the mechanisms of traditional music transmission at Sanggar Jiwa Etnik Blambangan in Banyuwangi, a rapidly growing sanggar (studio) where most members are young learners. The research focuses on the learning process, supporting factors, and documentation strategies that can be replicated as a teaching model for curriculum development in arts institutions. Specifically, this study supports plans to establish an arts campus in B…

  • Variasi Gaya Vokal dalam Keroncong Asli: Menafsirkan Estetika Ngeroncongi melalui Penampilan Mus Mulyadi, Toto Salmon dan Ismanto

    Open AccessSoladi Soladi, Aris Setiawan et al.ARTICLEPROMUSIKA2025

    Kajian ini mengeksplorasi perbedaan gaya vokal dalam interpretasi Keroncong Asli melalui studi komparatif terhadap tiga maestro keroncong Indonesia: Mus Mulyadi, Toto Salmon, dan Ismanto. Ketiganya menyanyikan lagu “Kr. Hanya Untukmu” karya Sapari dan WS Nardi, namun dengan pendekatan vokal yang berbeda secara signifikan. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis musik tekstual, yang dipadukan dengan data resepsi pen…

  • Gamelan Reinvented: Cultural Sound Transformation in Membranophone Ensembles of East Java

    Open AccessPanakajaya Hidayatullah, Gabriel Roosmargo Lono Lastoro Simatupang et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2025

    This study explores the phenomenon of pèghâ' in the musical traditions of terbhâng ghendhing and kemplang in Probolinggo and Bondowoso, which emerged as a response to past religious prohibitions on the use of metal gamelan instruments. The research focuses on uncovering the adaptation of metal gamelan music into the membranophone ensembles of terbhâng ghendhing and kemplang from a musicological perspective. Using qualitative approaches and ethnog…

  • Kèjhungan: The lilting song and overlapping of women’s bodies at tayub performances in Pandalungan

    Aris SetiawanARTICLEBritish Journal of Ethnomusicology2025References: 12

  • Keroncong Arrangement as an Expression of Freedom Congrock 17

    Open AccessDioda Satria, Aris Setiawan et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2024

    This study aims to analyze the results of the arrangement of keroncong music performed by Congrock 17. Congrock 17 is a well-known progressive keroncong music group from Semarang City, Central Java, Indonesia. This study’s two musical works are the object of analysis: Keroncong Pemuda-Pemudi and Perdamaian. This study uses a musicological approach emphasizing the concepts of arrangement, freedom, expression, and musical form. These concepts deter…

  • The Meaning of Gendhing Kodhok Ngorek in the Panggih Procession of a Traditional Javanese Wedding Ceremony

    Open AccessSuyoto Suyoto, Aris SetiawanARTICLEJournal of Urban Society s Arts2023

    This article aims to understand the meaning of Gending Kodok Ngorek, as the music that accompanies wedding rituals (Panggih) in Java. The data were collected through observation, a literature review, and interviews. The problem was addressed using Clifford Geertz’s cultural interpretive concept, which argues that cultural facts exist in the mind (as knowledge), are manifested in models, and determine behaviour and action in life, and Yasraf Amir …

  • Slendro Culture, Balungan Concept, and Inner Melody of Jawatimuran Karawitan

    Open AccessAris SetiawanARTICLEMalaysian Journal of Music2022

    This study aims to reveal the development and distribution of the slendro tuning and analyze the concept of balungan gending and the inner melody of gending in Jawatimuran karawitan. It became essential to do as an effort to build a scientific milestone in Jawatimuran karawitan. This study uses the participant method, which is an effort to involve the researcher in the study he is studying thoroughly. In-depth observations and active interviews w…

  • Revitalisasi Tari Topeng Kemindu Kutai Kartanegara ing Martadipura Kalimantan Timur

    Open AccessBelinda Astriddana, Nanik Sri Prihatini et al.ARTICLEGondang Jurnal Seni dan Budaya2022

    Penelitian ini bertujuan untuk membangkitkan kembali ketertarikan generasi muda sebagai warisan budaya lokal. Pengenalan budaya keraton kepada masyarakat adalah sebuah gebrakan dalam menggalakkan pariwisata sekaligus sebagai penjaga cagar budaya. Suatu pengorbanan dalam kesenian yang dilakukan Sultan ke-20, Sultan H. Adji Muhammad Salehuddin II untuk mendapatkan pengakuan keberadaan mahligai Kutai Kartanegara. Dengan memperbolehkan tarian klasik …

  • Meko: Bentuk dan Makna Gong Rote dalam Tarian foti

    Open AccessApris Yulianto Saefatu, Zulkarnaen Mistortoify et al.ARTICLEGondang Jurnal Seni dan Budaya2022

    Penelitian ini bertujuan untuk mengetahui bentuk dan simbolis makna Gong Rote yang terkandung dalam tarian foti. Tarian Foti merupakan tarian tradisional yang berasal dari pulau Rote Ndao, Nusa Tenggara Timur. Tarian ini ditampilkan oleh seorang penari pria dengan menampilkan gerakan yang atraktif dan 'energik'. Tarian foti sering ditampilkan baik dalam budaya maupun acara ceremonialdalam masyarakat pulau Rote Ndao. Penelitian ini menggunakan jen…

  • Polemic and Reasons for Reusing Wayang and Gamelan as A Medium for Contemporary Preaching Islam Religion in Central Java, Indonesia

    Open AccessAris SetiawanARTICLEHarmonia Journal of Arts Research…2022

    This study aims to reveal the main reasons why wayang kulit (shadow puppets) and gamelan music were used again as tools of Islamic da’wah after the Wali Sanga era (Nine Saints). In Central Java (Banyumas, Solo, Demak, Pati), there has been a phenomenon of Islamic preaching and recitation performed by Kiai using wayang kulit and gamelan music. This study uses a phenomenological approach, which is to get an explanation of the apparent reality. This…

  • The Concept of the Pathet and Avoided Tones in Jawatimuran Karawitan

    Open AccessAris SetiawanARTICLEMusic Scholarship / Problemy…2021

    This study aims at demonstrating the pathet in the Jawatimuran karawitan. The pathet is a musical gesture which frames the motivic direction of a melody or song. Therefore its position is quite essential in the Javanese karawitan. However, research of the pathet has only been centered in the musical areas of Surakarta and Yogyakarta. In fact, outside the two musical cultures, there also exists the concept and discourse about the pathet, which is …

  • Kidungan Jula-juli in East Java: Media of Criticism and Propaganda (From The Japanese Occupation Era to The Reform Order in Indonesia)

    Open AccessAris SetiawanARTICLEHarmonia Journal of Arts Research…2021

    This research aims to determine the historical construction of criticism and propaganda formed in Kidungan Jula-juli performance in each era. Kidungan is a song in the Gending Jula-juli in East Java. The musical text presented in the song seems to be open (blak-blakan [openness]), assertive, and emotionally becomes the power of criticism. Historical issues concerning the function of Kidungan Jula-juli are interesting enough to be known, thus enco…

  • Bisa Bawa Pacar Engga?” Sociological Analysis of Rules-Free and Strict-Rules Boarding Houses in Gorontalo

    Open AccessDondick Wicaksono Wiroto, Ridwan Ibrahim et al.ARTICLEKOMUNITAS INTERNATIONAL JOURNAL…2021

    This research was based on the phenomenon of free sex behavior by students in their boarding houses, hence the existence of the term 'rules-free' and 'strict-rules' boarding houses. This phenomenon was interesting to study using the concept of behavior so that it can be understood sociologically how the two concepts of the boarding house are related. Grounded theory was used in this research in the hope that the construction of social control in …

  • Jula-Juli Pandalungan dan Surabayan Ekspresi Budaya Jawa-Madura dan Jawa Kota

    Open AccessAris Setiawan, Suyanto Suyanto et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2017

    Jula-juli dianggap sebagai salah satu gending di Jawa Timur yang mampu mencerminkan ciri khas-karakter musikal masyarakat Jawatimuran. Pandangan ini diperoleh karena hampir setiap wilayah di Jawa Timur menggunakan gending ini sebagai identitas musikal mereka. Indikasinya, nama gending Jula-juli senantiasa diikuti oleh nama wilayah di Jawa Timur, semisal Jula-juli Surabayan, Pandalungan, Jombangan, Malangan, dan lain sebagainya. Uniknya, walaupun …