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Mohammed-Aminu Sanda

Biographic Data

ID4472970
NAMEMohammed-Aminu Sanda
GIVEN NAMESMohammed-Aminu
FAMILY NAMESanda
SIGNATURESANDA M
AFFILIATIONSDepartment of Organization and Human Resource Management, University of Ghana Business School, Accra, Ghana
ORCID0000-0003-0147-0680
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS12
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2025
H-INDEX1
  • On the margin of the early work of Jan Blažej Santini

    Open Access•Mohammed-Aminu Sanda, Martin Šanda•ARTICLE•Zprávy památkové péče•2025

  • Spirituality in creative work: How craft entrepreneurs in Ghana cope with precarity

    Open Access•Rufai Haruna Kilu, Ana Alacovska et al.•ARTICLE•Cultural Trends•2024•Cited by: 1•References: 10

    We investigate how craft entrepreneurs navigate the precarious conditions widespread in Ghana’s creative industries. Drawing on data from in-depth interviews with weavers of Kente cloth and smocks in the Northern, Savannah and Ashanti regions, we focus on the role of spirituality as a significant resource for coping with the extreme challenges and uncertainties faced by craftspeople in this context. Our empirical findings reveal how deploying spi…

  • The show must go on!’: Hustling through the compounded precarity of Covid-19 in the creative industries

    Open Access•Thilde Langevang, Robin Steedman et al.•ARTICLE•Geoforum•2022•Cited by: 11•References: 11

    The article offers a qualitative examination of compounded precarity in creative work during the Covid-19 pandemic. Drawing on repeated in-depth interviews with twelve creative workers operating in the creative industries in Ghana, we examine one of the most prevalent practices for navigating, coping with, and managing compounded precarity: that of hustling. We empirically identify and discuss three interrelated practices of hustling in creative …

  • The show must go on!’: Hustling through the compounded precarity of Covid-19 in the creative industries

    Open Access•Thilde Langevang, Robin Steedman et al.•ARTICLE•Geoforum•2022•Cited by: 11•References: 11

    The article offers a qualitative examination of compounded precarity in creative work during the Covid-19 pandemic. Drawing on repeated in-depth interviews with twelve creative workers operating in the creative industries in Ghana, we examine one of the most prevalent practices for navigating, coping with, and managing compounded precarity: that of hustling. We empirically identify and discuss three interrelated practices of hustling in creative …

  • Spirituality in creative work: How craft entrepreneurs in Ghana cope with precarity

    Open Access•Rufai Haruna Kilu, Ana Alacovska et al.•ARTICLE•Cultural Trends•2024•Cited by: 1•References: 10

    We investigate how craft entrepreneurs navigate the precarious conditions widespread in Ghana’s creative industries. Drawing on data from in-depth interviews with weavers of Kente cloth and smocks in the Northern, Savannah and Ashanti regions, we focus on the role of spirituality as a significant resource for coping with the extreme challenges and uncertainties faced by craftspeople in this context. Our empirical findings reveal how deploying spi…

  • The show must go on!’: Hustling through the compounded precarity of Covid-19 in the creative industries

    Open Access•Thilde Langevang, Robin Steedman et al.•ARTICLE•Geoforum•2022•Cited by: 11•References: 11

    The article offers a qualitative examination of compounded precarity in creative work during the Covid-19 pandemic. Drawing on repeated in-depth interviews with twelve creative workers operating in the creative industries in Ghana, we examine one of the most prevalent practices for navigating, coping with, and managing compounded precarity: that of hustling. We empirically identify and discuss three interrelated practices of hustling in creative …

  • Spirituality in creative work: How craft entrepreneurs in Ghana cope with precarity

    Open Access•Rufai Haruna Kilu, Ana Alacovska et al.•ARTICLE•Cultural Trends•2024•Cited by: 1•References: 10

    We investigate how craft entrepreneurs navigate the precarious conditions widespread in Ghana’s creative industries. Drawing on data from in-depth interviews with weavers of Kente cloth and smocks in the Northern, Savannah and Ashanti regions, we focus on the role of spirituality as a significant resource for coping with the extreme challenges and uncertainties faced by craftspeople in this context. Our empirical findings reveal how deploying spi…

  • On the margin of the early work of Jan Blažej Santini

    Open Access•Mohammed-Aminu Sanda, Martin Šanda•ARTICLE•Zprávy památkové péče•2025

Work (physics (3 works) · Creative industries (2 works) · Cultural Industries and Urban Development (2 works) · Engineering (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Precarious work (2 works) · Precarity (2 works) · Psychology (2 works) · Sociology (2 works)

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