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Christopher Fee

Biographic Data

ID4492668
NAMEChristopher Fee
GIVEN NAMESChristopher
FAMILY NAMEFee
SIGNATUREFEE C
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Arthur

    Christopher Fee•BOOK•Arthur•2019

    For fifteen centuries, legends of King Arthur have inspired generations. In the misty past of a Britain under siege, half-remembered events became shrouded in ancient myth and folklore. The resulting tales were told and retold, until over time Arthur, Camelot, Avalon, the Round Table, the Holy Grail, Excalibur, Lancelot and Guinevere all became instantly recognizable icons. Along the way, Arthur's life and times were recast in the mould of the he…

  • Gods, Heroes, & Kings

    Christopher Fee, Christopher R Fee et al.•BOOK•Gods, Heroes, & Kings•2004

    The islands of Britain have been a crossroads of gods, heroes, and kings—those of flesh as well as those of myth—for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavian…

  • Deity Types

    Christopher Fee, Christopher R Fee et al.•CHAPTER•Gods, Heroes, & Kings•2004

    The pantheon of any given mythology is composed of gods and goddess who should be recognizable as mythological types to followers of other systems. The supreme being, the great goddess, the trickster, the dying god, the thunder-god, and several archetypal deity figures are found in the mythologies of Greece, India, Egypt, Mesopotamia, as well as Northern Europe and the British Isles. This chapter examines the Celtic and Germanic manifestations of…

  • The pāntheons

    Christopher Fee, Christopher R Fee et al.•CHAPTER•Gods, Heroes, & Kings•2004

    A pantheon is an overview of a given culture's gods and goddesses and reflects not only the society's values but also its sense of itself. This chapter discusses the Germanic pantheon, which includes the Norse and Saxon deities, and the Celtic pantheon, which includes the gods and goddesses associated with Wales, Scotland, Cornwall, and especially Ireland. It provides a background of both Germanic and Celtic mythology and examines some of their r…

  • Judith and the rhetoric of heroism in Anglo‐Saxon England

    Christopher Fee•ARTICLE•English Studies•1997•Cited by: 1•References: 1

    The Old English Judith differs from the Liber Judith of the Vulgate at several crucial points, and in one particularly important way. In the Vulgate version of the story, Judith is a heroine in every sense of the word: she is a tropological symbol of Chastity at battle with Licentiousness, an allegorical symbol of the Church in its constant and eventually triumphant battle with Satan, and an inspirational figure who infuses her warriors with much…

  • Judith and the rhetoric of heroism in Anglo‐Saxon England

    Christopher Fee•ARTICLE•English Studies•1997•Cited by: 1•References: 1

    The Old English Judith differs from the Liber Judith of the Vulgate at several crucial points, and in one particularly important way. In the Vulgate version of the story, Judith is a heroine in every sense of the word: she is a tropological symbol of Chastity at battle with Licentiousness, an allegorical symbol of the Church in its constant and eventually triumphant battle with Satan, and an inspirational figure who infuses her warriors with much…

  • Judith and the rhetoric of heroism in Anglo‐Saxon England

    Christopher Fee•ARTICLE•English Studies•1997•Cited by: 1•References: 1

    The Old English Judith differs from the Liber Judith of the Vulgate at several crucial points, and in one particularly important way. In the Vulgate version of the story, Judith is a heroine in every sense of the word: she is a tropological symbol of Chastity at battle with Licentiousness, an allegorical symbol of the Church in its constant and eventually triumphant battle with Satan, and an inspirational figure who infuses her warriors with much…

  • Gods, Heroes, & Kings

    Christopher Fee, Christopher R Fee et al.•BOOK•Gods, Heroes, & Kings•2004

    The islands of Britain have been a crossroads of gods, heroes, and kings—those of flesh as well as those of myth—for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavian…

  • Deity Types

    Christopher Fee, Christopher R Fee et al.•CHAPTER•Gods, Heroes, & Kings•2004

    The pantheon of any given mythology is composed of gods and goddess who should be recognizable as mythological types to followers of other systems. The supreme being, the great goddess, the trickster, the dying god, the thunder-god, and several archetypal deity figures are found in the mythologies of Greece, India, Egypt, Mesopotamia, as well as Northern Europe and the British Isles. This chapter examines the Celtic and Germanic manifestations of…

  • The pāntheons

    Christopher Fee, Christopher R Fee et al.•CHAPTER•Gods, Heroes, & Kings•2004

    A pantheon is an overview of a given culture's gods and goddesses and reflects not only the society's values but also its sense of itself. This chapter discusses the Germanic pantheon, which includes the Norse and Saxon deities, and the Celtic pantheon, which includes the gods and goddesses associated with Wales, Scotland, Cornwall, and especially Ireland. It provides a background of both Germanic and Celtic mythology and examines some of their r…

  • Arthur

    Christopher Fee•BOOK•Arthur•2019

    For fifteen centuries, legends of King Arthur have inspired generations. In the misty past of a Britain under siege, half-remembered events became shrouded in ancient myth and folklore. The resulting tales were told and retold, until over time Arthur, Camelot, Avalon, the Round Table, the Holy Grail, Excalibur, Lancelot and Guinevere all became instantly recognizable icons. Along the way, Arthur's life and times were recast in the mould of the he…

Art (4 works) · History (3 works) · Literature (3 works) · Ancient history (2 works) · Archaeology (2 works) · Celtic languages (2 works) · Classical Antiquity Studies (2 works) · Classics (2 works) · Leadership, Courage, and Heroism Studies (2 works) · Mythology (2 works)

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