Andrew Mcinnes
Biographic Data
| ID | 4493864 |
|---|---|
| NAME | Andrew Mcinnes |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Mcinnes |
| SIGNATURE | MCINNES A |
| AFFILIATIONS | Edge Hill University |
| ORCID | 0000-0003-4559-5856 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
“A Rose Is a Rose Is a Rose Is a Rose Is a Rose Is a Rose Is a Thing Sublime”
With interests spanning from the baroque to Postmodernism, Caroline Shaw, a contemporary classical composer and the youngest person to win a Pulitzer Prize for Music for her 2013 Partita for 8 Voices, seems like an odd fit for Romanticism, never mind rock. However, she shows an antiquarian’s delight in reviving folk songs, as well as putting eighteenth- and nineteenth-century poetry, from William Blake to Emily Dickinson, to music. Shaw’s recent …
The Cambridge Companion to the Romantic Sublime
This is the only collection of its kind to focus on one of the most important aspects of the cultural history of the Romantic period, its sources, and its afterlives. Multidisciplinary in approach, the volume examines the variety of areas of enquiry and genres of cultural productivity in which the sublime played a substantial role during the late eighteenth and early nineteenth centuries. With impressive international scope, this Companion consid…
Sadist, Land Shark, and Reptile
Emma, the last novel Jane Austen published in her lifetime, opens with the famous sentence, describing its eponymous heroine: “Emma Woodhouse, handsome, clever, and rich.” Reviews of the most recent adaptation of the novel might recast this sentence as “Emma Woodhouse, sadist, land shark, and reptile”. It is our argument that Austen and the critics of Autumn de Wilde’s 2020 adaptation are essentially saying the same thing: Emma’s privilege makes …
Crime, Criminal Justice and Religion
Tom Mole, What the Victorians Made of Romanticism
Sarah Raff, Jane Austen's Erotic Advice
Feminism in the Footnotes
Mary Hays is now remembered above all as Mary Wollstonecraft's first feminist disciple and author of the revolutionary novel Memoirs of Emma Courtney (1796). Her later work of women's historiography, Female Biography (1803), has been criticised by its feminist readers both for neglecting to include Wollstonecraft amongst its sympathetic pen portraits of women including Aphra Behn and Catherine Macaulay, and for betraying Wollstonecraftian feminis…
No prominent works on this page.
Feminism in the Footnotes
Mary Hays is now remembered above all as Mary Wollstonecraft's first feminist disciple and author of the revolutionary novel Memoirs of Emma Courtney (1796). Her later work of women's historiography, Female Biography (1803), has been criticised by its feminist readers both for neglecting to include Wollstonecraft amongst its sympathetic pen portraits of women including Aphra Behn and Catherine Macaulay, and for betraying Wollstonecraftian feminis…
Sarah Raff, Jane Austen's Erotic Advice
Tom Mole, What the Victorians Made of Romanticism
Crime, Criminal Justice and Religion
The Cambridge Companion to the Romantic Sublime
This is the only collection of its kind to focus on one of the most important aspects of the cultural history of the Romantic period, its sources, and its afterlives. Multidisciplinary in approach, the volume examines the variety of areas of enquiry and genres of cultural productivity in which the sublime played a substantial role during the late eighteenth and early nineteenth centuries. With impressive international scope, this Companion consid…
Sadist, Land Shark, and Reptile
Emma, the last novel Jane Austen published in her lifetime, opens with the famous sentence, describing its eponymous heroine: “Emma Woodhouse, handsome, clever, and rich.” Reviews of the most recent adaptation of the novel might recast this sentence as “Emma Woodhouse, sadist, land shark, and reptile”. It is our argument that Austen and the critics of Autumn de Wilde’s 2020 adaptation are essentially saying the same thing: Emma’s privilege makes …
“A Rose Is a Rose Is a Rose Is a Rose Is a Rose Is a Rose Is a Thing Sublime”
With interests spanning from the baroque to Postmodernism, Caroline Shaw, a contemporary classical composer and the youngest person to win a Pulitzer Prize for Music for her 2013 Partita for 8 Voices, seems like an odd fit for Romanticism, never mind rock. However, she shows an antiquarian’s delight in reviving folk songs, as well as putting eighteenth- and nineteenth-century poetry, from William Blake to Emily Dickinson, to music. Shaw’s recent …
Art (5 works) · History (4 works) · History (3 works) · Literature (3 works) · Art history (2 works) · Computer Science (2 works) · Romance (2 works) · Romanticism (2 works) · Sociology (2 works) · Advice (programming (1 works)