Margaret A Toth
Biographic Data
| ID | 4519697 |
|---|---|
| NAME | Margaret A Toth |
| GIVEN NAMES | Margaret A |
| FAMILY NAME | Toth |
| SIGNATURE | TOTH M A |
| AFFILIATIONS | Manhattan College |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Seeing Edith Wharton's Ghosts
Seeing Edith Wharton's Ghosts:The Alternative Gaze on Page and Screen Margaret Toth (bio) The most electrifying moments in Edith Wharton's supernatural fiction are preoccupied with vision and visuality.1 In "The Pomegranate Seed" (1931), for instance, a woman anxiously struggles to read a faint, illegible letter with a magnifying glass before realizing that it was written from beyond the grave. In "The Eyes" (1910), a man lives at the mercy of tw…
Staged Bodies
Journal Article Staged Bodies: Passing, Performance, and Masquerade in Charles W. Chesnutt's The House Behind the Cedars Get access Margaret Toth Margaret Toth Manhattan College Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 4, December 2012, Pages 69–91, https://doi.org/10.1353/mel.2012.0062 Published: 01 December 2012
Staged Bodies
Journal Article Staged Bodies: Passing, Performance, and Masquerade in Charles W. Chesnutt's The House Behind the Cedars Get access Margaret Toth Margaret Toth Manhattan College Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 4, December 2012, Pages 69–91, https://doi.org/10.1353/mel.2012.0062 Published: 01 December 2012
Staged Bodies
Journal Article Staged Bodies: Passing, Performance, and Masquerade in Charles W. Chesnutt's The House Behind the Cedars Get access Margaret Toth Margaret Toth Manhattan College Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 4, December 2012, Pages 69–91, https://doi.org/10.1353/mel.2012.0062 Published: 01 December 2012
Seeing Edith Wharton's Ghosts
Seeing Edith Wharton's Ghosts:The Alternative Gaze on Page and Screen Margaret Toth (bio) The most electrifying moments in Edith Wharton's supernatural fiction are preoccupied with vision and visuality.1 In "The Pomegranate Seed" (1931), for instance, a woman anxiously struggles to read a faint, illegible letter with a magnifying glass before realizing that it was written from beyond the grave. In "The Eyes" (1910), a man lives at the mercy of tw…
Art (2 works) · Art history (2 works) · Aesthetics (1 work) · American and British Literature Analysis (1 work) · Art, Politics, and Modernism (1 work) · Cinema and Media Studies (1 work) · Gaze (1 work) · Literature (1 work) · Literature, Film, and Journalism Analysis (1 work) · Male gaze (1 work)